Tag Archives: slipknot’

V/A-This Is Your Life-A Tribute To Ronnie James Dio

 

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Very rarely are “tribute” albums a good thing. Either they are modern artist playing classic rock songs because the label thinks it’s a good idea, KISS My ASS or Zeppelin-Encomion. Or you get gimmick-y crap like Country Does Metal. Ugh. Lastly, there’s what I call the Cleopatra effect. A label uses a group of older artists to do classic rock tributes. The label Cleopatra had an assembly line of 80’s rockers doing songs of 70’s acts. It became comical to see Jizzy Pearl of Love/Hate or Joe Lynn Turner on every release from Cleopatra. Very rarely do you get a tribute album of well known acts doing songs in the same genre of an iconic artist.
Lo and behold, here comes This Is Your Life-A Tribute to Ronnie James Dio. They did a great job of collecting metal artists for this record and the songs they covered range throughout his career. As an added bonus most of these songs are new recordings. With this kind of an album I think it’s best to go track by track.
Starting us off is “Neon Nights” by Anthrax. They do a nice and faithful version of the song. It’s a perfect album opener. If you heard last year’s Anthems you know they can do great covers. Following that is is Tenacious D’s “The Last In Line”. It has a nice acoustic opening but once it kicks in… the only way to go is down…… I love these guys but doing an electric metal song doesn’t work. Plus Jack Black does not have the pipes for this song. We are then greeted with Adrenaline Mob’s “The Mob Rules”. This was done on their covers EP a while back and I was not a fan of it then and still feel the same. Most of Stone Sour tries their hand at “Rainbow In The Dark”. They are joined by guitarist Satchel of Steel Panther fame aka Russ Parish from Paul Gilbert’s band and Fight. Doing such a well known song can be tricky but they put their spin on it. It’s a little heavier and just a tad faster. What is interesting is Corey Taylor’s vocal choice. His delivery is very restrained thereby letting the guitar riff to shine. At first it’s surprising because you expect him to go big but this works a lot better.
Young ones Halestorm try on “Straight Through The Heart”. The band proudly wears it influences on its’ sleeves and have done a couple of covers EP’s already. I know I’m supposed to like them but something about them doesn’t click. Lizzy Hale has a killer voice and on the second half of the song she steps it up a notch and it’s is killer. However the band is very blah and the guitar playing is bar band level. I know her brother is the drummer but she needs to be with some players.
The first track released was “Starstruck” with Biff Byford of Saxon singing with Motorhead. Just typing that sentence is a metalhead’s wet dream. Listening to it is even better. Biff’s gravel works great with Motorhead’s dirty delivery. It’s just so simple and so great. Another legacy act is next with the Scorpions doing “The Temple of the King”. The Rainbow track fits right in the Scorpions wheelhouse. The mid pace song is perfect for Klaus Meine’s vocals. It sounds like it should have been on their MTV Unplugged album. The Metal Queen herself, Doro gives us “Egypt (The Chains Are On)” and it is as glorious as you would think. When Ronnie passed they did a couple of tribute shows and she sang this song. It was done awhile back but chances are most people haven’t heard it. Another already available track is “Holy Diver” by Killswitch Engage. Done when Howard Jones was still the singer, it’s still a pretty cool cover and even better video.
Glenn Hughes takes the lead alongside Dio veterans Simon Wright, Rudy Sarzo, and Craig Goldy on “Catch The Rainbow”. Since this is very ballad-like it reminds me of some of the Black Sabbath stuff Glenn did. I like that he chose a song that he could do use his blues voice but it doesn’t really work. Next is one of my favorite songs Ronnie sang.”I” ,from the Black Sabbath-the Dio Years, is better than anything on that gawd awful 13 record. Former Lynch Mob singer Oni Logan is joined by Jimmy Bain, Rowan Robertson, and Brian Tichy, Musically its good but Oni cannot match the defiance that was so evident on the original.
One of the tracks I was really looking forward to was “Man On The Silver Mountain” with Rob Halford on vocals. When Dio dropped out of Sabbath when they were going to open for Ozzy’s retirement shows, Rob stepped in. He did a terrific version of “Children Of The Sea” so my expectations were high. Unfortunately time has caught up with the Metal God and his voice is flat and very uninspiring.
The mighty Metallica do a medley on “Ronnie Rising”. It’s made up of “A Light In the Black, Tarot Woman, Stargazer, Kill The King”. It’s tremendous. Any long time fan will know that they love to do covers and it shows here. Especially on “Stargazer/Kill The King” sections.
The album ends with Dio himself singing the title track. It’s just him and a piano and it’s phenomenal. A little heard track and it shows what a powerhouse he was.
There are some other songs depending on what version you buy. The digital download has “Buried Alive” by Jasta. I like it since we get to hear Jamey actually sing and this track works for him. The Japanese version has Stryper’s “Heaven and Hell” which was available on their covers LP from a couple years back. It’s good but they changed some lyrics and that kind of bugged me. Dio Disciples crank out “Stand Up and Shout”. I don’t have that version but it’s either Oni Logan or Ripper Owens singing so it should be good.
As with any tribute there are some hit or misses. As a whole This Is Your Life is a fitting tribute for Ronnie and with all the proceeds going to the Stand Up and Shout cancer fund that was set up after his passing it’s even more fitting.

Final rating, I’d be happy paying…
$14.99-Regularly Priced CD

$9.99-Download from iTunes or Amazon

$5.00-wait for Amazon to have it on sale
$1.00-finding at a flea market, car wash, or pawn shop
$0-Not worth the drive space

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A look at Sirius/XM for the Metalheads

 

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Satellite radio has been around for awhile and I finally jumped on board a year ago. My job requires me to drive a lot so I am in my car a lot. I used Pandora and my iTunes a lot but there is just something about a radio station. I heard Sirius/XM when I was with an ex. Driving around in her car I got a good opportunity to hear what was offered. Sadly, that was the only positive experience I got from that horrible horrible woman. I loved how this product satisfied my musical tastes, all of them. However I just want to focus on the ones that service the heavier stuff. With the Clear Channel effect all over our terrestrial radio dial, satellite is something that metalheads should really look into. The channels I want to concentrate on are Channels 38 to 40, Ozzy’s Boneyard, Hair Nation, and Liquid Metal.

ozzyBoneyard, I refuse to use the Ozzy label because of the horrible woman that is Sharon Osbourne, is a really good classic hard rock/metal station. They do a real nice job of mixing stuff up so you are not hearing “Iron Man” every 30 minutes. Band selection is nice, besides the obvious, Sabbath, Priest, Maiden, you get Tank, and Diamond Head and a plethora of others. You will find yourself saying “I haven’t heard that in a while” a lot. No shows except for an hour hosted by Jim Norton and Ultimate Sinner where a listener gets to pick 5 songs. A nice little feature. They occasionally play some new music from veteran bands already on the play list. Music wise, it is a great listen that you will have no problem leaving on for hours straight.

The big drawback to me is the Ozzy affiliation. Granted I probably hate Sharon way more than anyone else. And that hatred has tarnished Ozzy’s music to me. I cannot even listen to his era of Black Sabbath anymore because of her but I can overlook that most of the time. What bugs me is that every promo for the station is Ozzy related. From him mumbling about some story from 1984 or hearing Sharon or one of their idiotic kids tell a story about him, it’s stomach churning. The ball washing gets worse when they have famous metal musicians talk about how great Ozzy is. It is really sickening and it is the main reason I change the channel.

hairNext on the dial, is Channel 39 Hair Nation. As the name suggests it has all the bands from 80’s and 90’s with big hair that were the lifeblood of Headbangers Ball. This was the station that really hooked me one getting Sirius/XM. I remember driving with the awful ex and on came Sleez Beez. C’mon where else are you going to hear Sleez Beez? When I first got the radio I remember hearing a D:A:D song and thinking this was the greatest purchase that I ever made. What I didn’t realize is that they would play that same song over and over again. I know I am in my car a lot but it is like bad FM radio overkill. Then I noticed that they did this a lot. Heard “Gimme Your Love” from McAuley Schenker Group and got that D:A:D happy feeling. Then I heard it again and again. The station has a pattern of pulling out a band and playing their hit. Then they play that song over and over and then put that band back on the shelf. Why they won’t play another song I have no idea. They will however play the fuck out of Bon Jovi. Someone there loves them some Bon Jovi because you will l hear a BJ song every 30 minutes and that is not a good thing. I seriously think that Bon Jovi has a deal with this channel similar to what Ozzy has with Boneyard. This station never plays new music even though many of the bands the play have released new material. They did however play the new Richie Sambora single, furthering my Bon Jovi conspiracy theory. Plus they do not have a listener show like the other two stations do. This went from being one of my favorites to being one that I hit and run on. Hair Nation is also the home to Eddie Trunk who has a show on Monday night. However he plays more stuff you hear on Boneyard but that vile cunt Sharon had him kicked off that channel because he dared to criticize Ozzy.

sirius_xm_liquid_metalLast but not least is Channel 40, Liquid Metal. They play all of the new metal bands plus lots of the originators. When I say Metal I mean METAL. Cannibal Corpse, Slipknot, High On Fire, real heavy stuff. They do a nice job of crossing the many genres of Metal. Thrash, death, stoner, black you name it. Liquid Metal also does a great job on featuring new bands and letting listeners know when an important album is coming out. Occasionally they play some bands that are better off on Octane, a channel for new Hard Rock, but that is being picky. They also have Listener Domination, their show lets a listener a chance to pick three songs and say why. One of my favorite things about the station is Bloody Roots a show hosted by renowned Metal author Ian Christie. He will have a different theme for each show and does a fantastic job of giving tidbits and back story plus lots of the stuff he plays you will not hear any other time.

I think the reason that Boneyard and Liquid Metal are run so well is that Jose Mangin seemingly is in charge of both. His voice is on promos for both channels and they both have a listener show. He is the afternoon host and some may remember him when MTV did a Headbangers Ball special. He is a nice enough guy that obviously loves Metal. However he kind of bugs me. Maybe because he is always UP or maybe it is that he still has a faux hawk and still wears Affliction shirts. Logic would dictate that he would be in charge of Hair Nation as well and if so he is doing a shitty job.

Earlier I mentioned Octane on Channel 37. They play modern hard rock a long the lines of In This Moment, Chevelle, and Sevendust. It’s not a bad station I listen occasionally but a lot of what they play I don’t care for.

Yes I do realize there is a huge “Kids these days” factor present.

While I have become disappointed in Hair Nation and the Ozzy ass kissing makes me want to puke on my passenger seat, but I cannot recommend getting Sirius/XM enough. It really satisfies my musical desires plus there is a bunch of other great stuff available. I love being able to go from Mastodon to Glen Miller to listening to an Astros game. I got the Onyx model and I am able to take that from my car to another car or inside. Terrific if you drive more than one vehicle plus you can listen to it on your smartphone or online from your computer.

Seriously go get it.

Now.

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Murderdolls-Women and Children Last

The musical landscape has become littered with the tacky billboards of sub-genre’s. This plague upon the world has been brought upon us by the musical aficionados that turn their noses up at rap that is from the wrong coast. Or country that is not played by suburban college kids or metal that had not been reclassified in a way that by the time it takes you to decode the style the song is over. Unfortunately this bane is a curse that will always be upon us no matter the quantity of silver bullets, garlic crosses, or whatever repels zombies. Good movie scripts seems to have worked lately.
At the risk of adding to our societal disease, comes Women and Children Last, the newest offering from Murderdolls. The reason why they are adding fuel to the tire fire is that just calling them metal is a disservice. I think the only label that applies is Splatterpop. I believe that term, that I plan on copyrighting unless Gene Simmons beat me to it, fully encompasses the experience of the album.

While every song has a lyrical aspect that centers around killing or drugs or killing or murder or killing, they are all insanely catchy and you quickly find yourself bobbing along to the shooting spree anthem of “Bored To Death”  That can only be equaled by the Romeo and Juliet inspired “Summertime Suicide” a snappy account of a guy finding he lovers suicide note and then offing  himself. Take that Frank Sinatra.
Do not think that every song is the equivalent of a Roger Corman movie, “Nowhere” is a damn the torpedos anthem to believing in yourself. You have to give a lot of credit to guitarist Joey Jordison. While he is better know as the drummer for Slipknot, he is the sole guitarist in Murderdolls. He displays a crude but catchy style that is part AC/DC and part punk. The band is rounded out by singer Wednesday 13 who has a style that could best be described as a hype man at a live B&D sex show in Vegas. That or if Captain Spaulding was more interested in tattooed strippers than killing.
People may simply dismiss the Murderdolls as just a goofy side project but Women and Children Last shows that it may be better than the main band and stands tall on its own.

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