Tag Archives: megadeth

Marty Friedman-Inferno


You have to give Marty Friedman credit. He could have taken the easy route post-Megadeth and formed his own metal band or just done more shred records and everyone would have been happy. Except he wouldn’t have. He loves the Japanese culture so he moved there and did some TV and some J-Pop and was extremely happy. On his terms.
However, the metal siren’s call was to much to resist and he is back with Inferno. It is a collection of instrumentals along with some very cool guest stars. It starts with a couple of said instrumentals that show off Marty’s handy work. (See what I did there?) Neat part about them is that they are both noticeably different in approach and sound but still equally entertaining. Now Inferno goes into the guest phase. First up is “Wicked Panacea” with Rodrigo y Gabriela, the outstanding neuvo flameno guitar duo. The song incorporates them perfectly as Marty’s playing allows them to easily slide in and out throughout the track. Truly remarkable. Canadian hard rock hero Danko Jones provides some lead vocals on “I Can’t Relax”. Again Marty crafts a song tailored for Danko and shows a different side of himself while exposing Danko to those who may not be familiar with his awesomeness. My favorite track is “Meat Hook” and it features Jorgen Munkeby of The Shining on saxophone.
Yes, saxophone.
If you are not familiar with The Shining, they are a Norwegian avant garde metal band and Jorgen is the lead singer that occasionally breaks out the saxophone. He is brilliant and so is this track. Similar to what he did on “Wicked Panacea”, Marty lets Jorgen play what he wants over the track as they intertwine and eventually harmonize. I love this song so much and it is a true testament to what someone can do if they are willing to push the boundaries. I mean really push them. A lot.
Alex Laiho from Children of Bodom sings on “Lyncathrope” and it’s pretty good. As is “Sociopaths” with David Davidson of Revocation. I was hoping for a little more crazy shredding on this one considering who was involved. Inferno ends up with two very interesting tracks. “Undertow’ is a very light track that leads into “Horrors”. It seem like it’s a battle between classical influence, represented by the piano played, and shredding, his guitar. They go back and forth over the course of 6 minutes and it’s pretty impressive.
After grunge hit it became very uncool to know how to play with your guitar. Shredding was a dirty word and all of us that grew up looking forward to the newest Shrapnel release were doomed. Like with everything, time wins out. Shredding has returned and with it Marty Friedman. Inferno is a terrific reminder of what he could do plus it’s a better reminder of what he can do. And hopefully how others can push themselves.

Final rating, I’d be happy paying…
$14.99-Regularly Priced CD
$9.99-Download from iTunes or Amazon
$5.00-wait for Amazon to have it on sale
$1.00-finding at a flea market, car wash, or pawn shop
$0-Not worth the drive space

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Megadeth-Super Collider


Growing up in the 80’s Megadeth main man Dave Mustaine was the mouth that roared. From his constant bashing of ex-band mates Metallica to his socially conscience lyrics. He had no fear in speaking his mind and we loved it. Plus his band created some of the greatest albums ever. Just like his Behind The Music, act 3 was not kind to Dave. Declining sales, drugs, and a hand injury broke up the band.


After rehab and becoming born-again, Mustaine reassembled Megadeth and has released some good material. Unfortunately it has been over shadowed by his mouth. Between him getting a band removed from a festival slot because he was offended by their name, to his latest tirade against the President. I will use the term latest because by the time I upload this we will have had at least two more. It’s a shame because that was something that we all like about him but it has now gone into the Alex Jones area and that’s one crazy fucking area.


Super Collider is the bands latest effort and hopes to put the music back in the headlines. It gets off to a great start with “Kingmaker” a perfect example of Megadeth. The band is tight and everyone knows how to play. Returning bassist Dave Ellefson and drummer Shawn Drover form a great rhythm section that allow Mustaine and Chris Broderick’s guitars to play off of it. You get some vintage thrash with “Dance In The Rain” and it’s classic riffs and politically tinged lyrics of disappointment. “Don’t Turn Your Back” has some nice riffing and shows how good Mustaine can be delivering pissed off words. The album closes with a cover of the Thin Lizzy classic “Cold Sweat”. They do a real nice job and Mustaine’s vocals really work here. Unfortunately the rest of the album is not as good. The title track is an out and out pop hard rock and seems like a leftover from Risk. There are banjos, yes banjos, on “The Blackest Crow” and weird blues infused song that seemed like it was a better idea than an actuality. For some reason they decided to have David Draiman appear on “Forget To Remember” and naturally the song is as good as the title is clever.


The past couple of releases from Megadeth have been pretty good but got over shadowed by Dave Mustaine’s mouth. Super Collider is a decent album with a couple of nice songs and some real head scratchers. Megadeth is in this weird space in that they have this great legacy but are not resting on their catalog. However the new stuff is average at best and the fans still come. It will be curious how it will play out as the aging audience may get tired of the sideshow and just listen to the old stuff at home.



Final rating, I’d be happy paying…


$14.99-Regularly Priced CD


$9.99-Download from iTunes or Amazon


$5.00-wait for Amazon to have it on sale


$1.00-finding at a flea market, car wash, or pawn shop


$0-Not worth the drive space




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1st Annual Year In Metal Wrap-up (a little late)

Everyone has read countless lists of top 10’s or Top 20’s or whatever. While I love making and reading these lists as much as the next guy, I want to do something a little different. So here is the 1st Annual, even though it cannot be annual if it is the first, Year in Metal Wrapup.

Album of the Year

Bad City-Welcome To the Wasteland

I came across this album from the good folks at Metal Excess. They gave it a great review and I love it even more. It has to be one of the most fun hard rock albums I have heard in years. The closest example I can think of is when I first heard The Darkness. It has the same throwback 70’s rock feel but sprinkled in with a little 80’s esthetic, namely the “gang vocals” that permeate many of the songs. However, it does not sounded dated as quality knows no age. The cherry on this musical sundae is “Call Paul Stanley”. The four-and a half minute ode to rockstar dreams, name checks the legendary KISS frontman all the while paying homage in the best song of the year.  I cannot recommend this album enough and guarantee that you will like it. Not a money back guarantee because I am broke but you get the idea.  Go buy this album.  NOW!!


Runner up-Overkill-Ironbound

Surprise of the Year


With the 80’s hard rock nostalgia running rampant you had to wander if this was just a cash grab. The propensity for disaster was high. The last time anyone heard of RATT was with ex-Love/Hate vocalist Jizzy Pearl out front and former Crue-er John Corabi singing backups and rhythm guitar. Carlos Cavazo was recruited to replace Corabi and original singer Stephen Pearcy returned. The band could have easily done festivals and shows playing the old stuff. Thankfully what they did was hunker down in the studio and cranked out a terrific slab of hard rock goodies that serve as enduring legacy of the band. It hits you from the go on “Eat me Up Alive” with its’ sexually tinged lyrics and trademark Warren DeMartini riffs. Every song fits easily in to the RATT catalog and if you saw them live this past summer you can attest to that.

Runner up-Accept-Blood Of the Nations

Disappointment of the Year

Monster Magnet-Mastermind

Now I love me some Monster Magnet. I love that mainman Dave Wyndorf has stuck to a formula that only he knows. His brand of stoner/space rock is unique unto itself and the fact that his lyrics seem to be written as if they were from a stream of conscience acid induced rant, just seems to make it better. Mastermind is not a bad album per se, it is just not nearly as good as the previous Monster Magnet releases. There are several good tracks on here “Dig That Hole” and lead single “Gods and Punks” That track is accompanied by a terrific video. Those songs aside, the album just feels very lethargic, I know that may seem ironic since this is Monster Magnet, but  on all the other albums the slower stuff had a swing or a groove to it that drew you in. Mastermind just seems to sit there at times, leaving you very unfulfilled. 

Runner-up-Stone Temple Pilots-S/T

Best Metal Event of the Year

The Big Four Shows

As time has unfolded, the chances of seeing Metallica, Slayer, Megadeth, and Anthrax all together has seemed very slight. While some had played with one another on previous tours, a package that included all the Big 4 of Thrash Metal just seemed like chatter. There were so many hurdles for this to come together. Metallica is the biggest band in the world and they do not need to. Megadeth, is burdened with Dave Mustaine and his public feuds with members of Slayer and Metallica. Slayer, had been feuding with Mustaine on personal and musical levels. Anthrax while always up for a show had gone through 3 singers in the span of a year. So when the good fortune happened that this came true, it was a headbangers dream come true. The bands played a series of festivals in Europe and the shows were  immortalized in a DVD set for all to see. They were even shown in theaters in the States and in true metal tradition, the cops were called. Although they did not make it here to the States all the acts have indicated that is something they would love to do. Hopefully the stars will aline for that.

Runner Up-?

Worst Metal Event of the Year

Ronnie James Dio loses his fight with cancer.

When word spread that Dio had died of caner is rocked the metal community. It was only a month before that he had said how good he felt and that his prospects were looking good. Fans had just seen him at the Revolver Golden Gods Awards and it seemed like he was going to beat it. However as strong as Dio may have been, cancer was much stronger. Losing anyone to cancer is horrible but when you lose someone that seemed liked a part of the family to millions worldwide it is devastating. His passing was sad because he was still singing great and releasing quality music. While that may be a selfish  attitude as a fan, Dio being there for as long as he did was an inspiration for many and provided enjoyment that cannot be measured.

We see musicians die every year, that is not a new thing. Losing Dio or legendary metal manager Debbie Abono to caner is sad. Seeing some junkie musician die at their own hands while sad in one way is not deserving of the same emotion. When people like the formers pass, it let’s us know how fleeting life actually is. We are coming upon a time where many of the founders are getting up in age and nature will take its’ course. The obits will start to fill as the legends pass on. And while we will mourn the loss and fondly remember of the joy they brought us, it will also remind us of our own mortality.

There has been some good come out of Dio’s passing. Outreach of cancer awareness in the metal community has come to the forefront. With Ronnie’s and others passing’s, more and more headbangers are hopefully having the necessary checkups done. Wendy Dio, is heading the Stand Up And Shout Foundation and raising funds for cancer research. They recently donated over $100,000 to M.D, Anderson Hospital in Houston, the facility where Ronnie received treatment.

Runner Up-Slash defacing his Guns N Roses legacy by having  that talentless ho bag Fergie sing on Sweet Child O’Mine.

Most Anticipated For This Year

New Mastodon album

This past year was a little light in “holy shit” releases. Last year there was new ones from Lamb of God, Megadeth, and Slayer, among other notables. With the possibility of the Georgia quartet delivering a new platter of metal goodness, I am a twitter like a schoolgirl seeing Justin Beiber. It will be a great day when I open the Sunday ad for Best Buy and see Mastodon listed next to whatever Youtube sensation or middle-class gangster wannabe.

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