Tag Archives: hard rock

My Top 10 Albums of 2017 (even though it’s 2018)

I know what you’re thinking. Who the hell needs another end of the year Top 10 lists. Well to be fair, no one. But if everyone else gets the fun of making one so should I. Let’s be honest, these are fun. I love sitting and writing down all the great releases that came out. Crossing out and revising the list over and over again. The scanning other peoples list and cursing the fact that I forgot something. Then going back and redoing my list one more time.

I am a but more anal about making lists than others. There has to be rules. If its a Top 10, then there should only be 10 on the list. No two way tie for first or 5 honorable mentions.

Top 10 is 10.

Period.

End of story.

10-Europe-Walk The Earth

If you would have told me in 1985 when “The Final Countdown” was earworming its’ way into our brains. That I would be a huge fan of Europe, so much that I would pre-order their albums, I would have wondered what gave me brain damage. Yet, I am a huge fan and you should be too. I heard a interview with the drummer that when the band reformed they changed the way they wrote songs. Apparently, the old method was singer Joey Tempest writing everything and then bring it to the band. Now they get together to create. Thankfully those annoying keyboards have been replaced with powerful old school organs. Europe seems to have given in to their childhood and have channeled the bands they grew up on. Influences ranging from Rainbow and Deep Purple are evident. The title track would have been a monster hit back in the day. Honestly, it still could be if someone uses it in a sports highlight reel.

9-Godflesh-Post Self

It was so refreshing to hear some new Godflesh. I remember the first time I heard them. I was drinking at Emo’s, R.I.P., and Streetcleaner came on. It was a revelation. The heaviness and dissonance was so different that anything I had every heard. Godflesh was first of the industrial bands that soon flooded the scene. However,to me they were always different. Maybe it’s because they were on Earache and there was an extra level of heaviness. There was always level of noise in their sound that was amazingly inviting. Post Self gave me the same feeling. I’ve seen people say that it doesn’t have metal leanings but it sure does sound like it to me. Still brutal and awesome. Like an army of orcs rampaging over a field of keyboards.

8-Riverdogs-California

I’d venture to guess that most people have no idea who the Riverdogs are and why I would have them on my Top 10. Those people are seriously ignorant and deprived. At first glance people will assume that since Vivian Campbell, of Dio, Whitesnake, and Del Leppard fame, that it would be in that vein. Riverdogs are so much more. The key to the band is singer Rob Lamothe. His voice is magical. Emotional like a mutha fucka. First time I heard these guys was when they were doing a radio tour promoting their debut album in 1990. Vivian and Rob were on Z-Rock, R.I.P. again, and they played acoustic versions of the songs. It was amazing. Those two gave the songs such life and meaning that I was instantly hooked. Great thing about it was that it showed how good the songs were that they would work with just two guys with guitars. So I was ecstatic to see that California was coming out. Frontiers Records did something brilliant by having the band play acoustic versions of these new songs in advance of the release.

Describing their sound is tough. While it is definitely rock there are hints of soft rock, alternative, and alt-country mixed in with Jeff Buckley. It worked. “Welcome To The New Disaster” and “You’re Too Rock N Roll” drip with brilliance that make you wonder if you’re worthy. It’s the perfect record for driving with the top down and sun glaring down on you.

7-Tau Cross-Pillar Of Fire

I had never heard of Tau Cross until December. Sarah Kiteeringham from Banger TV was talking about them on her Album on the Year list. Naturally, she violated the rules and had about 10 different albums. Nonetheless, one of her choices was Tau Cross. When she said Away from Voivod was in the band, my ears pricked up. This is a really interesting band. It does have some of Voivod-ness on here, this is a bit more abrasive. Rob Miller, formerly of Amebix, plays bass and sings with a gravely tone that elevates this above the fray. He shows his range by smoothing it out some and injecting some bass and it gives the band a Killing Joke vibe. The title track showcases that with the added acoustic guitars and violins.

Only complaint is the album is a tad long. Sort of. The vinyl is 11 songs which I think is perfect. But the CD/MP3 version adds 3 songs. Not that they’re bad but as I’ve gotten older i’ve realized that Aerosmith’s Rocks has only 8 songs and that kind of tough to top. Get in, get out leave them wanting more.

6-Power Trip-Nightmare Logic

You remember what I just wrote about getting in and getting out? Well that is perfect exemplified on Nightmare Logic by Power Trip. This is 8 tracks and 32 minutes of Texas thrash that if these guys had access to a DeLorean and flux capacitor would tear it up at Ruthie’s Inn in 1987 San Fran. It is note perfect old school thrash but doesn’t sound dated. These guys wear their influences on their sleeves. Proudly. Heavy, nasty riffs with dive bombs that would make Slayer proud. Riley Gale’s vocals are very reminiscent of Kurt from D.R.I. but with more intensity. They aren’t afraid to tackle some big lyrical issues. From the dependence on OTC drugs to extreme right wing religious politics feel their wraith. Not a bad note on this.

5-L.A. Guns-The Missing Peace

It’s been a rough couple decades for L.A. Guns. After having some solid success in the 80’s and 90’s, they rapidly became a punchline. They went from being known as a solid act to having two versions of the same band touring around the country. Silly fighting through the media made it even worse. However, time heals all wounds and singer Phil Lewis and guitarist Tracii Guns kissed and made up. Thankfully so, because we got The Missing Peace.

THIS IS A MONSTER ALBUM!!

They did not miss a beat and it sounds like it was recorded by their 20-something selves not the 50 year olds they are now. They looked father time in his face and spit on him. High energy guitar rock that traverses time. Phil’s voice hasn’t aged at all and the British snarl he had in Girl is still present. Tracii is one of the most underrated guitarist of his generation. He can play with feel as well as power, plus writes terrific riffs. He also shows some humility by deferring to Michael Grant whose playing injects some adrenaline into the album. From opener “It’s All the Same To Me” to “Sticky Fingers” (not that Sticky Fingers) to “Baby Got Fever” the album transports you to a packed Gazzarri’s and you don’t care that you have half a can of hair spray on your head and you’re a dude. Rarely does a successful band make their best album 3 decades into the game.

4-Code Orange-Forever

I have a system for the way I listen to new albums I’ve never heard of. I’ll look up what’s coming out that Friday, then find it on Google Play Music and add it to a playlist called Decide. That’s how I came to hear Code Orange. I was not prepared.

HOLY SHIT, is this a brutal album.

They’re called a deathcore band but I don’t know how accurate that is. Mainly because I have no idea what deathcore is. These kids and their uber specific genres . Anyway. Code Orange is power personified. Not fast but HEAVY. Starting with the title track, it’s just simple quarter notes that are delivered with such force its unbelievable. They get schizophrenic with some hardcore stuff on “Kill the Creator” but the power is still there.

OK, I get what deathcore is now.

I think what’s impressive is they are not afraid to record a song like “Bleeding In The Blur”. They use clean vocals and the song is more Octane than Liquid Metal. Or something like “Spy” with is a hybrid stoner metal song with electronic elements. “Ugly” is more industrial/alternative than metal but fits right in with the other songs. Forever is actually a very diverse album and shows that Code Orange will do whatever they want.

Forever is a fantastic album that has put Code Orange on the map. I am really curious what they’ll do next, should be interesting.

3-Mutoid Man-War Moans

Someone on Metal Riot had the best description of Mutoid Man. They described them as the perfect blend of cockrock and mathcore. There is plenty of harmonies in their music balanced out with some insane technical playing. The songs are very catchy, fun and surprisingly smart. I don’t want to make it seem like they are tough to grasp like a Dragonforce or Dillinger Escape Plan. A song like “Kiss of Death” is a standard hard rock song but they put enough of a twist on it to make it their own. Imagine High on Fire guitars with a Josh Homme melody. Without assaulting a camera woman though.

“War Moans” and “Irons In The Fire” would be prototypical metal songs in anyone else’s hands. Here they are delivered crisply but with enough attitude making them Mutoid Man.

Look at the two bands that preceded them on the list. If they opened for L.A. Guns or Code Orange they would be received quite well. Honestly I think Mutoid Man would like both of the gigs too.

2-Integrity-Howling, For The Nightmare Shall Consume

I seem to have a love/hate relationship with SiriusXM. In theory it should be a godsend for music lovers. Unfortunately, what you end up finding out is that they have the same lazy programming as terrestrial radio. That’s why I end up listening to MLB Radio more than any of the music channels. The one time I was listening to Liquid Metal and they weren’t playing a Soulfly or Sepultura song. Honestly, you would think these were the biggest bands ever the way Jose rams them down everyone’s throat. Anyway, that’s where I heard the new Integrity. The song “Hymn for the Children of the lack Flame” came on and I was entranced. These brutally fast guitars came out of the speaker accompanied by some nasty shedding. Very reminiscent of early Slayer. Back when Kerry had hair. Then Dwid Hellion’s vocals came on. He’s got a big shouty growl that works so well on the metal tracks as well some of the more hardcore ones. Most of the songs are barely over 3 minutes long but I don’t think the human neck could sustain much more headbanging. Then the second half of the album and it changes. The songs get longer and the band starts stretching their wings.”7 Reece Mews” has Dwid channeling Tom Waits over bursts of stoner metal. Then on “Unholy Salvation of Sabbatai Levi”his voice sounds like its pleading or warning us over ominous droning guitars. Even though Integrity is Dwid and whomever he wants, he gives a lot of room to guitarist Domenic Romeo. Domenic shows lots of old school flash while maintaining a contemporary feel.

1-Wayward Sons-Ghosts Of Yet To Come

I realize this is the 3rd album from Frontiers Records on my list. What can I say, they had a good year. Like other titles, they released several songs ahead of the albums release. The first Wayward Sons track available was “Until The End”. I was hooked instantly. Just a quality hard rocker accompanied by some sharp pointed lyrics about dealing with less than honorable people.

They are the ones that try to hurt you

They are the ones that cause it all

They are the ones that have no virtue, at all

Toby Jepson’s words take what would be a good song to a great one by injecting some thought and wit into them. Some may know him from the band Little Angels. Some may know him from acting in Gladiator, Angela’s Ashes, Band of Brothers. Or from him producing Saxon, Chrome Molly and the Virginmarys. Either way, you need to know him for Wayward Sons. It’s a little dismissive to say this is just a hard rock band. While they are, the music is so good it’s almost insulting to lump them in with others. There is a definite English feel to the songs, ala Wildhearts, Therapy, Terrorvision. However, Wayward Sons songs seem to have an extra layer to them. The music is very simple, but Toby’s voice is truly an extra instrument. As the guitars are playing 4 chord rock . He’s singing in a style that adds another riff to the song while adding a harmony to it as well. “Crush” and “Give It Away” are audio heroin with the way it sucks you in and wraps it self around you.

Good rock songs are simple yet tough to write. Every track on here is a diamond. This is the bar band you want to see that is so good the lady you meet at the show ends up being your wife.

Two wrap it all up, Wayward Sons has been the definite #1 in all incarnations of this list. I will say that numbers 2 through 6 could be rearranged in any order and I would be fine with it. It was tough keeping Enslaved off the list but I thought Godflesh was a stronger album. Hopefully you’ve found some new music to listen to. So grab your phone and open Spotify or Beats or Google and get to searching.

Advertisements
Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

[Crate Digging] Wishbone Ash-Front Page News

ashFPN

The first time I heard the name Wishbone Ash, it was about how they used dueling guitars before Thin Lizzy. So when I finally listened to them I was a bit disappointed. While there is occasionally some dueling guitar harmonies, they do not resemble Thin Lizzy at all. They are not fast nor rockin’ like Lizzy.

It’s a bit tough to compare them to anyone. The best I can come up with is combine Atlanta Rhythm Section and Steely Dan then sprinkle in Pink Floyd’s mellow moments. They’re mellow and poppy, at times a bit proggy. At first they may sound a bit pedestrian but get it a couple more spins and you hear more and more and really start to appreciate them.

Supposedly they do have some heaviness to their catalog but not on the albums I have. There’s The Rub is the first album I got from them. This album, Front Page News, is their eighth studio album. It starts off rather sedated with the title track and “Midnight Dancer”. The two tracks are more yacht rock than anything. Song sequence is a big problem. If you reversed the Sides and started off with “Come In From The Rain” and “Right Or Wrong” then the softer stuff wouldn’t seem so predominant.

Thankfully, there are a few highlights. “Surface To Air” is a very relaxed number with some David Gilmour style leads by Andy Powell. It is immediately followed by “714” an instrumental probably made better by track placement.  The standout track is “Heartbeat”, a slow enveloping breakup song where Martin Turner’s vocals really shine.

It’s not that Front Page News is a bad album, it’s just not the top of the list of must own albums from Wishbone Ash.  I paid $2 for a copy that shows some wear and tear. If I paid $5 for it I’d still feel alright because “Heartbeat” is such a great song.

Final Verdict:

I really really under paid

I really under paid

I paid about right

I over paid

I should have lit my money on fire

Tagged , , , , , , , ,

The REAL Top 10 Hair Metal Bands aka screw you Loudwire

 

I love music lists.

I know they are mainly designed just to infuriate readers who will then hopefully share the link and generate clicks. Still, I love them. Especially when they are horribly wrong. One of the recent ones that fit this criteria is from Loudwire. The just released the 10 Best Hair Metal Bands. I expected this to be off since everyone that works at Loudwire probably weren’t born when this genre was at the top

So in another excuse to take someone else’s idea and write something about, here is the actual 10 Best Hair Metal Bands.

Let’s get one thing out of the way, I loathe the moniker “hair metal”. It was a term thought up by music writers that had come into power with the grunge/alt rock wave. It was their not so clever way to diminish and invalidate the genre that they didn’t like. In all genre’s of music there were great bands and then the waves after of horrible imitators.

Also, let’s loosely define what “hair metal” is. For me I say it is hard rock with a commercial sensibility. A buddy came up with the term “hard pop” and I think that’s fair. There has to be either a dreamboat of a lead singer or a shred meister on guitar. Lyrics should have a bit of a blue streak to them. Power ballads are not a must but extremely encouraged.

Anyway, here is the list from Loudwire.

10. Dokken
9. Whitesnake
8. Cinderella
7. Poison
6. Ratt
5. Skid Row
4. W.A.S.P.
3. Twisted Sister
2. Def Leppard
1. Mötley Crüe

The list as a whole is not bad but there are a couple big mistakes. Two of them should not be on it. W.A.S.P. is not a hair metal band. They were more shock rock and traditional metal, even though they did dip their toes in the hair metal pond with the excellent power ballad “Forever Free”.

The other band that shouldn’t be on the list is Twisted Sister. Being honest, they are a glorified one hit wonder. While Stay Hungry is an excellent album the rest of their output is “eh”. Not to undercut the impact of Stay Hungry, more specifically the videos. However, one good album does not warrant being on this list.

If you listen to the Hair Nation channel on Sirius XM you will hear several acts that are not Hair Metal. Tesla is just a straight up rock band. Queensryche are a metal band that just had a big power ballad. Scorpions were extremely popular in the 70’s beforehand.

The other band I am removing is Poison. While they were an extremely popular act. One that you could argue are the poster boys for the genre, they just aren’t as good as the others.

10-Def Leppard-There is no denying how awesome their first 4 LP’s are. I listened to High N Dry the other day and it is still a mother trucker. So good. The reason I have them this low is because how they have distanced themselves from the genre and fanbase that loved them. In hindsight, it may have been a smart move since they are still playing big shows. However, I’d argue that it is because they were one of the biggest acts of that time.

9-White Lion-Pretty boy lead singer

Shredding guitar god

Huge power ballad √

While they did have three keys to this genre, they were also a really good band. 4 solid albums is nothing to sneeze at. As a whole they hold up better than one would think. Plus, I love their cover of Radar Love. Lastly, the fact that after the band broke up, guitarist Vito Bratta just said “fuck it!!” and left the music industry is bad ass.

8-Warrant-There are several bands that were severely harmed by their biggest hit. Extreme and Saigon Kick were so different than the songs they became known for. While “Cherry Pie” was a big hit and a popular video, it became an anchor for the band. It’s a shame because they were so much more. I remember driving and listening to Z-Rock, anyone remember that? I heard this heavy yet catchy song that blew my mind. When the DJ said it was “Uncle Tom’s Cabin” by Warrant I was dumbfounded. Previously, they were just a band that was there but that song changed my mind. Then they released the acoustic version of “I Saw Red” and was all in. But the “Cherry Pie” video with all it’s over the top cliché was the perfect touchstone for naysayers. Unfortunate because the band never got a fair chance withtheir follow-up Dog Eat Dog an oustanding album. Even their “grunge” album Ultraphobic is good. Plus, the two albums they have recorded with new singer Robert Mason hold their own with the catalog.

7-Cinderella-This is another band that is wrongfully pigeon-holed. When you look at the cover of their first album, they are totally glammed out. Because of that I think they are thought of as a Poison clone when they are clearly not. The sound is a lot heavier than one thinks. Tom Keifer’s voice is one of the more unique ones plus being a fantastic songwriter too. Cinderella really made a leap from Night Songs to Long Cold Winter. Heartbreak Station was a slip though. Keifer’s throat problems have hurt the band more than once tour-wise hindering their growth. Every time they seemed poise to have a comeback and do something big it ended up not happening. Plus, they made the most awesome commercial for a chili dog stand..

6-Dokken-It’s funny researching all these bands, it seems like 4 albums in and it goes off the rails. Same with Dokken but I get why they broke up, Don is kind of an ass and George is no saint himself. The band has an interesting backstory in that Don essentially joined George’s band yet somehow they ended up using Don’s last name. In between all the ego clashes and silliness, they released some essential albums. Great mix of a commercial sound with a heaviness to it. Plus Lynch was a monster player. Even their comeback album Dysfunctional is good. It was originally released in Japan simply titled Dokken. It sold so well that Elektra in the States picked it up, added some songs and remixed it. Get the original Japanese version as it sounds more like classic Dokken while the US version tries to make them sound alternative. It still sold over 300k copies which is amazing at that time. Since then been a lot of misses and drama. The Erase the Slate album with Reb Beach on guitar is severely overlooked. I think most of the criticism of the band nowadays is because of the band fighting than the music. Shame.

5-RATT-It has always amazed me how overlooked RATT are. I don’t know if it’s because they were one of the first bands to break through but they have a fantastic catalog. The 5 studio albums have at least 2 hits per. That doesn’t even include their EP with “You Think You’re Tough” arguably their best song. They never had the big power ballad that others did but I kind of respect them for not forcing one. Warren DeMartini was the requisite guitar hero and he’s still held on high regard. Bonus points for their comeback album Infestation being so good it holds its own. The legal fighting over who holds the band name has not helped the bands profile though.

4-Whitesnake-Now some may wonder how I can include Whitesnake here when I left off the Scorpions since both bands were active in the 70’s. One, it’s my list. Two, Whitesnake was basically a blues band until John Sykes joined the band and guitar driven, stripper anthems emerged. I have always said if there is a Stripping Hall Of Fame, Whitesnake should be in there. The amount of dollar bills that went flying because songs from the ’87 album came on is innumerable. The album before it, Slide It In is often overlooked and is the blueprint for ‘87. While the videos of Tawne Kittaen and multiple Jaguars looks silly, the songs still hold up after all these years. The lyrics are dripping with sexual innuendo that became passe, listening to them now they just seem fun. A deep dive is the import album Starker in Tokyo, an acoustic album with just Dave and Adrian Vandenberg. The last two releases Good To Be Bad and Forevermore should not be overlooked.

3-Skid Row-Rolling Stone magazine once declared Sebastian Bach as the last genetically engineered front man. While it has been decades since they wrote that I still thinks it holds true. He was like David Lee Roth with an anger streak. He’s tall and good looking with unbelievable pipes and he knows it. They had the huge power ballad but they were able to not be defined by it. Amazingly they got heavier as they went along. Seeing the video for “Slave To The Grind” after being bombarded by “ I Will Remember You” the previous year was like seeing a color TV the first time. You have to remember on this album they took Pantera out as their opener. After that came Subhuman Race, released in 1995 and is one of the greatest albums that most people never heard. I understand some will say I have them too high since they ostensibly had only 3 albums and most only heard of two.

They need to revisit the catalog.

2-Motley Crüe– It’s tempting to put this band at number one just because of their autobiography The Dirt. Seriously, that book is a degenerate bible. And I mean that in a good way. Nonetheless, the band’s music is pretty legendary. They ended on Dr. Feelgood, their biggest album which is highly unusual. Motley seemed to go up a rung on every album while changing their look and style. Even weirder they changed the logo every album too. No one has ever done that. They sounded so raw on Too Fast For Love that it’s almost punk. It’s a shame Elektra cleaned it up the mix, that’s why you should try to find the original copy on Leathur Records . I don’t know if it’s a demerit but for me their best album is Motley Crue the one without Vince Neil. John Corabi added so much as a singer and lyricist it’s a shame we didn’t get to hear more. Still there are hits after hits on the Neil ones. Look at the setlist for the retirement shows and there are at least a half dozen songs they could’ve added. I know I should take off points for their obvious “going through the motions” retirement tour. Tommy’s drum kit messing up on the last show was an unfortunate yet fitting coda for them.

1-Winger-OK. I know people are calling me names after seeing I have Winger at number 1. I don’t care. I think they are the best band of this genre. Forget about the videos of Kip dancing around and concentrate on the music. Incredibly well crafted hard rock. They were the perfect package. The band are all incredibly competent musicians. Kip studied classical music before playing with Alice Cooper where he met guitarist/keyboardist Paul Taylor. Reb Beach had been a sought after session guitarist and drummer Rod Morgenstein played with the Dixie Dregs. Plus they had the songs. Their MTV popularity was what killed them when Beavis and Butthead came in to popularity. A real shame because they had just released Pull, a truly great album. If given a chance I think people would see the growth they always accused the band of not being capable of. Winger broke up but got back together for IV. After that was Karma and lastly Better Days Comin‘. The band has figured out a schedule to work around everyone’s solo stuff and get back together and make great music. That freedom allows the band to relax and just be themselves. They don’t seem to run from their history like others. Time has passed and on and the line “She’s Only Seventeen” gets changed to “She’s Only 43” at shows nowadays. It’s perfectly pays homage to the song while acknowledging that everyone has gotten older. Older but still having fun.

So there its is. I doubt many, if any, will agree with my list. That’s fine. If you haven’t listened to any of the albums I used to justify a bands rating. I urge you to give it a spin and see if I changes your mind.

Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Adrenaline Mob-Dearly Departed

10845742_845567675465979_8667643703818840603_o

 

If you look at my past reviews you can see I am not the biggest fan of Adrenaline Mob. In fact I think the band may have taken on their namesake and put a hit out me. So it must seem odd that once again I am tackling their newest. Call it self flagellation or more likely that it’s February and there is not a lot out. Dearly Departed is a mini-LP mostly made up of covers or acoustic numbers. They did this right after their debut album and I like this idea. Alice In Chains did it and I think it’s a nice way of staying in the public eye without milking the cow.

Let’s address the covers first. Dearly Departed kicks off with Pat Travers’ “Snorting Whiskey”. This is a blazing cover and it had me rethinking my attitude towards the band by the time it hit the chorus. It is a balls out rockin’ version of this 70’s classic and you can hear the band enjoying themselves. Especially guitarist Mike Orlando who sounds like a mixture of an Allman brother and an 80’s shredder on here. Queen’s “Tie Your Mother Down” also gets the treatment and it is a good one. The feeling is like this is a fun practice room song that they just decided to record. I applaud the guys for choosing some not too obvious songs. However, just because it is a surprising choice does not mean it is a good one. Case in point is their version of “Devil Went Down To Georgia”. It sounds exactly as you would imagine and it’s not nearly as clever as it needed to be. The last cover on here is a “Black Sabbath Medley”. It is about as original sounding as that title. One highlight is drummer AJ Pero channeling his inner Animal and going bat shit insane on it. There needs to be a moratorium on bands covering Sabbath, Metallica, and Slayer. Just don’t do it. You will always be compared to the original and in doing so will always be lacking.

Along with the covers, the other draw is the three acoustic interpretations on here. Each one of them being very good. Russell Allen really gets a chance to show off his voice on them. “Crystal Clear” and “Angel Sky” have full band accompaniment on them but the acoustic vibe is still there and the stripped down quality is delicious. As good as those versions are, “All On The Line” is legendary. With just Russell and Mike alone with a guitar the emotion really comes through. Really beautiful and powerful.

Dearly Departed is rounded out with a radio edit of the title track. Taking off that extra minute really streamlined the song and makes modern rock keeper. “Gets You Through The Night” is an unreleased track from Men Of Honor. It is a little peppier and reminds me of Saliva or Nickelback and I’m not saying that in a good way. It proves the adage that if the song was any good it would have been on the album.

I guess Dearly Departed has opened my eyes to Adrenaline Mob. I really like how the band is able to mix modern hard rock with classic rock sensibilities. Hopefully it will continue on their next release. My one small complaint is I think Dearly Departed should be a bit cheaper. It’s only $1 less than a regular album so I dropped it down one because of that.

Final rating, I’d be happy paying…

$14.99-Regularly Priced CD

$9.99-Download from iTunes or Amazon

$5.00-buy it as a used CD

$1.00-streaming it on Spotify

$0-Not worth the drive space

Tagged , , , , , , , , , , , , , , , , ,

Sweet & Lynch-Only To Rise

download

 

Geez, another project album?

Really?

This one features Michael Sweet of Stryper fame on vocals joined by the magical fingers of guitarist George Lynch. Somehow these two men who have been creating music for most of their lives came up with the name Sweet & Lynch.

Ugh.

That “moniker” does not reek of creative genius for the prospective buyer. Band name aside, the prospect of these two guys working together is intriguing. The last Stryper album was good as was Michael’s subsequent solo offering. The same can be said of George’s latest output. The two Lynch Mob EP’s were terrific and his other project band, KXM, was on many people’s Top 10 lists. Also have to mention that the band is rounded out with the rhythm section of James Lomenzo and Brian Tichy. Two very capable veterans that have played together and with a variety of acts,

One of the main reasons this intrigued me so much was to hear Michael Sweet away from Stryper’s safety net. I was never really a big fan of them. The religious stuff was a bit too heavy handed plus the outfits were just silly. The prospect of him being able to shun those restraints is very appealing.

Sweet & Lynch sound exactly as you might think, a more melodic sounding Lynch Mob. At times it does sound a bit more Stryper-ish. That is heard right from the get go on “The Wish”. It gets a bit slinkier on “Dying Rose” with it’s Lynch Mob sound but Michael’s voice gives it that something extra. His high pitched vocals return on “Recover”. With George’s playing it really hearkens back to the glory days. Now the track that George shows off the most on is “Divine”. The guitar sound is so nasty sounding it’s almost pornographic. Only To Rise ends with the title track, probably my favorite song on the album. Brian Tichy’s double bass drumming really amps it up and makes it one of the heaviest tracks any of the guys has done.

With the pedigree of these two you expect a power ballad. Naturally there are a couple with “Love Stay” being the best. The rhythm section really help and takes a song that could have been very generic into something a lot more interesting. “Me Without You” is a nice one as well, though it seem to echo Dokken’s “Alone Again”.

Purely accidental I’m sure.

Sadly there are a couple of misses here. “Stretch in Numbers” sounds like they never knew which way to take the song. The keyboard is so out front you wonder if George just forgot to play on it. Then there’s “Hero Zero” which has some of the silliest lyrics I’ve heard in a long time. The hero is a zero, he’s just a highwayman. That’s bad. So bad that it ruins what could of been a good song.

It’s a shame that the new release shelf has been flooded with so many of these projects. I think fans may have soured on the gimmick-ness of these “dream projects” and in turn they overlook the ones that are actually good. Sweet & Lynch is one of those good ones with Only To Rise delivering on it’s promise of mixing together Stryper and Dokken into a audibly tasty treat. If you are a fan of either of those bands I recommend Sweet & Lynch wholeheartedly.

Final rating, I’d be happy paying…

$14.99-Regularly Priced CD

$9.99-Download from iTunes or Amazon

$5.00-buy it as a used CD

$1.00-streaming it on Spotify

$0-Not worth the drive space

Tagged , , , , , , , , , , , , , ,

Rated X-Rated X

RATEDX

The other project featuring an Appice in it is Rated X. This group has Carmine Appice on the drumstool. He has been in so many bands that it’s probably easier to name who he hasn’t been in. He is best know for Vanilla Fudge, Rod Stewart, and King Kobra. The singer for Rated X is Joe Lynn Turner who fronted Rainbow during the MTV days. Rounding out the quartet is Tony Franklin the fretless bass maestro from Blue Murder and The Firm and guitarist Karl Cochran.

There are a lot similarities between Rated X and the other Appice project WAMI. Both singers have sung with Yngwie and Rainbow. Both bassist have played with Carmine in Blue Murder. And oddly, the least know of each group is the guitar player. However the big difference is that Cochran and Joe Lynn Turner have been playing together for awhile. Unfortunately Karl suffered a stroke midway through recording so Nikolo Kotzev of Brazen Abbot filled in for him.

Rated X offers up some classic sounding hard rock that sounds fittingly like a cross between Rainbow and Blue Murder. What makes this group standout from the others is that the familiarity between the members gives it more of a band feel and less of a studio one. The album kicks off with “Get Back My Crown” and “This Is Who I Am” and seems like a fitting declaration for a group of guys trying to reclaim their spot in the game. The keys on it really adds to the Rainbow feel. They’re also evident on “Fire & Ice” with it’s big chorus and bigger organ. (Don’t laugh, I’m talking about the musical instrument.)

The Blue Murder pedigree shines through on several tracks too. Some of it comes from Tony Franklin’s signature fretless bass sound. “Lhasa” has the same big epic song feel to it as “Valley Of The Kings”. Then there just some straight up rockers in “Devil In Disguise” and “Piece Of Mind” where Rated X is making there own statement.

To be fair there are a coupe of stinkers. “You Are The Music” reeks of “we need a ballad here” thinking. “Maybe Tonight” is a bland soft rocker. It almost seems that if they slow down it falls apart but they do a great job on “Our Love Is Over”. It’s a nice ballad that really shows off Karl’s playing. There is also an acoustic version that is just Joe Lynn and a piano and it is beautiful. It’s amazing to hear his voice still sounding that good.

What makes Rated X so much better than all the other project bands is that they seem to want to be a band. The extensive demoing and work they did before recording is evident. The cohesiveness comes through the speakers and the band has made an album worthy of their collective legacies.

Final rating, I’d be happy paying…

$14.99-Regularly Priced CD

$9.99-Download from iTunes or Amazon

$5.00-but it as a used CD

$1.00-streaming it on Spotify

$0-Not worth the drive space

Tagged , , , , , , , , , , , , , ,

The perfect Guns N’ Roses-Use Your Illusion album

use_your_illusion_pro_by_martinezivan24-d5wemdw

 

The holiday is a desert for new releases and ironically, wrong usage, I actually have free time to write. So instead of doing a title I really have no interest in I will once again steal an idea from a podcast. Dig Me Out is a terrific podcast that focuses on lesser known releases of the 90’s. While they mainly stick to alternative, hard rock and metal occasionally sneaks in. Recently they celebrated their 200th episode and to commensurate the big achievement the episode was dedicated to Guns N Roses Use Your Illusion I & II. It was a fascinating episode with lots of info and ideas. One of my favorite tidbits was that “November Rain” was originally a 20+ minute song that had to be trimmed down.

During the course of conversation they addressed the elephant in room, should this have been 2 albums released simultaneously? One suggestion was to release several EP’s that collected similar songs together. Epic songs, bluesy songs, etc. In theory that sounds good but I think they knew that the band was on borrowed time with all the drug problems the various members had. Plus, who knew what the music climate would be by the time EP #4 came out. In truth the music world of 1991 when this was released and in 3 years later 1994 were totally different. You could have released one and then another 12-18 months later but you if #2 sells way less than #1 the media will go bananas. Plus this was the time when record releases were a big deal. Fans would line up and pack stores for midnight releases. A couple years later with grunge killing the rock star and the internet changing the industry, big releases were not the same.

The spark for this article was them mentioning about cherry picking the two albums and creating the ultimate Use Your Illusion. This idea really intrigued me with a combined 29 songs between the two, only counting “Don’t Cry” once, and deciding on what 10 songs would make the best album is a fun idea.

So the following are my 10 songs plus the order they should be on the album. I think that can be an overlooked aspect to a release and it is VERY evident on the two Use Your Illusions. I is alright but having “The Garden” followed by “The Garden of Eden” is just lazy. It gives the impression that the two tracks are tied together. II is just a mess. “Civil War” is a great song but not an opener. All the fast energetic songs are in the middle and the big single “You could Be Mine” is track 12.

12!!

With all that said, let’s kick this pig.

Scott’s Ultimate Use Your Illusion

Track 1-”You Could Be Mine”-This is the perfect album opener. Upbeat, already popular from the Terminator 2 soundtrack, listeners will be on board from the jump.

Track 2-”Garden of Eden”-Want to keep up the tempo from the 1st track. Plus it sounds like it could come from Appetite.

Track 3-”Civil War”-after those two rockers, this serves as a bridge from what they were to what they want to be.

Track 4-”Live and Let Die”-This is such a good cover that I don’t want to bury it on the back of the album. Plus the bombast of it leads perfectly into…

Track 5-”November Rain”-The opening piano note is a perfect segue from Track 4. The midway point is perfect this song.

Track 6-”The Garden”-It follows “November Rain” on I and I think it works. Coming off the grandiose-ness of the previous track you need to something different but not vanilla. The soft/heavy flux of this track and the Alice Cooper guest vocals work perfectly. I know the Dig Me Out guys didn’t like this song but I really do.

Track 7-”Dust N’ Bones”-One of the few songs where Izzy sang. Great song showing the bands roots.

Track 8-”Estranged”-The other big epic song. If I only hear this song once every 6 months, it’s my favorite off these albums. Slash’s guitar sound is just nasty and that simple 4 note riff is killer. I do wish that they had a big name producer on this album that would’ve cut about 90 seconds out of the middle and this song would be legendary. I think you have to have it far enough away from “November Rain “ to give listeners a chance to recover.

Track 9-”Pretty Tied Up”– I like the jangliness of the song and after “Estranged” you need some normalcy. Plus it leads right into…

Track 10-”You Ain’t The First”– I love the acoustic sound of this, very Stones/Aerosmith plus it echoes the Lies EP. I think this is the perfect ending,

I realize I left off “Don’t Cry”and the reason why is you already have 2 “kind of” ballads on here. I could cheat and say that it is a Japanese Bonus track along with “So Fine”. Nowadays, people do not remember how big a deal it was getting UK or Japan import of a release just for the bonus tracks. Plus, after seeing Shannon Hoon on the video and hearing that he sang on it I was excited to hear Blind Melon. Then when I actually heard it, it made me wish that God did not give us ears. Horrible.

I am pretty solid on the song choices I made, the only argument would be on the order but my reasoning for tempo and feel will stay.

One of the other favorite tracks mentioned on the podcast was “Coma”. The track is alright but with 2 other long songs that I think are better, this album is better served without it. “Bad Obsession” was the one song that was a tough cut. Honestly I had that in the Track 7 slot and then heard “Dust N’ Bones” again and made the switch. With the success and notoriety of “November Rain”, “Estranged”, and “Civil War”, I think people overlook how many good rock songs are on here.

Along with making up two new words, I believe I laid out solid reasons of what I think would make the best single disc version of Use Your Illusion. Am I right on or way off base?

Just let me know.

 

Tagged , , , , , , , , , , , , , , , , , , , ,

Big Trouble-Long Start To A Short Career

06rs

After finding this under the pile of other new releases, several things came to mind. Why does the name Big Trouble sound familiar? How old is this? Is this another reissue of a lost album? If this is new how in the hell how has no one used this name before?
This EP from Big Trouble is new material but they are an old band. Long Start To A Short Career was released on Retrospect a label that specializes in finding demo’s and albums from bands that never quite made it. Big Trouble is one of those bands that got close but never got their “big break”. Despite creating a substantial following in the Southeast the dastardly flannel wearing boys from Seattle shifted the musical winds.
Upon listening to Long Start, this sounds like they are left over songs from 2 decades ago. “What’s Going On?” is very reminiscent of Roth era Van Halen complete with a wise cracking banter. It makes me think of all those Swedish and Norwegian bands that are coming out now sounding like they are 1989 LA bands playing at Gazzari’s. Everyone seems to be a parody of one another. Not a scintilla of originality and worst of it’s boring. I can handle something being unoriginal, everyone rips off everyone, but when it is boring that is unforgivable.
The best track on here is “Now You See Me” a solid rock tune. Basic song with a nice hook and no overtly sexual lyrics from a guy in his mid to late 40’s. Hey, I’m the same age so I know how creepy it is. That’s kind of a problem with bands like this doing 80’s hard rock. David Lee Roth and Taime Downe can get away with overtly sexual stuff because that’s what they’re known for, they built up cache. Bob in Detroit sounds really icky to anyone not knowing who he is.
I almost feel bad hammering these guys because they got back together and made something. That is to be commended. However, I wish they would do more songs like “Now You See Me” and less of “Candyland”.

Final rating, I’d be happy paying…
$14.99-Regularly Priced CD
$9.99-Download from iTunes or Amazon
$5.00-buy it as a used CD

$1.00-streaming it on Spotify
$0-Not worth the drive space

Tagged , , , , ,

Slash featuring Myles Kennedy & The Conspirators-World On Fire

Slash_-_World_on_Fire

 

You have to give Slash a lot of credit. Out of all the members of Guns N Roses he has had the most success. From Snakepit to Velvet Revolver to this new band. I really do like them but I really hate the name. The quartet is billed as Slash featuring Myles Kennedy and The Conspirators. So out of the four guys, two get mentioned. The Conspirators must feel like Andrew Ridgley when Wham started getting referred to as Wham featuring George Michael.

World On Fire is their second album they has made. If you’ve never heard Myles Kennedy sing before, The Alter Bridge singer is a nice fit and has a very unique high pitched style similar to Axl but with a bit more modern feel. The Conspirators are the rhythm section of Todd Kearns on bass and drummer Brent Fitz behind the throne. Brent was in Union the tragically overlooked band that also had John Corabi and Bruce Kulick in it.

 

There’s a lot to like on this album. It kicks off amazingly with the title track, a perfect mix of classic and modern hard rock. I think the band is at its’ best when it does that. At times it does feel like it is at odds with itself. You start off with the aforementioned track then it’s followed by “Shadow Life”a decent rocker but very dour. It seems that they wanted to show how modern they were right upfront. Being diverse is great but that song placement is not. Especially since it’s followed by another great rockin’ track in “Automatic Overdrive”. I think that song along with others like “Wicked Stone” are a nice representation of the melding of Slash’s and Myles hard rock backgrounds.

 

One of my favorites is “Bent To Fly” which is best described as an upbeat power ballad. It has a lot of beef to it but enough sensitivity and slowness for the ladies. Just like the ad for Monster Ballads said “Every bad boy has a soft side.”

 

If you look at the liner notes you can see that all the songs I mentioned are at the very beginning. You will also see that there are 17 tracks on World On Fire. 17!! SEVENTEEN!! That is a lot for a single disc, actually it’s too much. I think an album is best with 10-12 songs. So World on Fire has 5 to 7 too many tracks. That excess is obvious as the songs are not necessarily bad but just blah. If the album ended with “Dirty Girl” it would have been great. The back half has two songs over 6 minutes a piece. Ugh. I hate to criticize an artist for giving the fans too much but if they would have whittled the album down a bit it would have been a much better experience.

Final rating, I’d be happy paying…
$14.99-Regularly Priced CD
$9.99-Download from iTunes or Amazon
$5.00-but it as a used CD
$1.00-streaming it on Spotify
$0-Not worth the drive space

Tagged , , , , , , , , , , , , , , ,

Jeff LaBar-One For The Road

index

I guess it’s fitting that Cinderella’s guitarist Jeff Labar has released a solo album since his band mate Tom Keiffer put one out last year. Now it’s common knowledge that Tom was the main man and songwriter and his album highlighted that. So expectations could reasonably be low for Jeff’s solo debut One For The Road. After a couple listens a couple things pop out. One, Jeff is a big Led Zeppelin fan and has no qualms with paying homage. Two, there is no way I would let him date my sister.
The Zeppelin thing first. There is no mistake that Jimmy Page played a major influence in Jeff’s musical awakening. The instrumental “Ode To Page” is a clear nod in both music and title. The piece evokes the acoustic openings of several Zep classics. “Muse” also has that same fell but more of the meat of the song. “Hello or Goodbye” is a terrific power ballad that reminds me of John Corabi. The rest of the album is made up of solid but uneventful hard rock songs. They’re the kinds of songs that you don’t seek out but don’t fast forward when the pop up on iTunes. Jeff does not have the strongest of voices but he does a good job in knowing what he can do.
Now onto why I said I wouldn’t let Jeff date my sister. Using real life experiences as lyrical material is nothing new. Jeff used his marriage and subsequent divorce as the inspiration for “No Strings”. Fine. Where my worry comes from is “Asking For A Beating”. The song is clearly about a crappy relationship with a woman. It’s a really good catchy song but when you have a chorus of “you’re asking for a beating” your ears kind of perk up. Maybe it’s because we had the Ray Rice incident in the news recently but this did not seem like the wisest song title or lyric choice. I do realize that he’s not referencing beating a woman but just the trials and tribulations of dating. Like I said it’s a really good song but someone should have said “how about we try a different phrase?”
One For The Road is only 7 songs long so it’s more a mini-LP than EP. As a whole it shows a lot of promise from Jeff. It has done real well on its’ first week so hopefully this will spur Jeff to do more music. Since it has been nearly two decades from the last release of new material from Cinderella he should have lots of ideas stored up.

Final rating, I’d be happy paying…
$14.99-Regularly Priced CD
$9.99-Download from iTunes or Amazon
$5.00-buy it as a used CD
$1.00-streaming it on Spotify
$0-Not worth the drive space

Tagged , , , , , , , , , , , ,
Advertisements
%d bloggers like this: