Category Archives: Other Crap

The REAL Top 10 Hair Metal Bands aka screw you Loudwire

 

I love music lists.

I know they are mainly designed just to infuriate readers who will then hopefully share the link and generate clicks. Still, I love them. Especially when they are horribly wrong. One of the recent ones that fit this criteria is from Loudwire. The just released the 10 Best Hair Metal Bands. I expected this to be off since everyone that works at Loudwire probably weren’t born when this genre was at the top

So in another excuse to take someone else’s idea and write something about, here is the actual 10 Best Hair Metal Bands.

Let’s get one thing out of the way, I loathe the moniker “hair metal”. It was a term thought up by music writers that had come into power with the grunge/alt rock wave. It was their not so clever way to diminish and invalidate the genre that they didn’t like. In all genre’s of music there were great bands and then the waves after of horrible imitators.

Also, let’s loosely define what “hair metal” is. For me I say it is hard rock with a commercial sensibility. A buddy came up with the term “hard pop” and I think that’s fair. There has to be either a dreamboat of a lead singer or a shred meister on guitar. Lyrics should have a bit of a blue streak to them. Power ballads are not a must but extremely encouraged.

Anyway, here is the list from Loudwire.

10. Dokken
9. Whitesnake
8. Cinderella
7. Poison
6. Ratt
5. Skid Row
4. W.A.S.P.
3. Twisted Sister
2. Def Leppard
1. Mötley Crüe

The list as a whole is not bad but there are a couple big mistakes. Two of them should not be on it. W.A.S.P. is not a hair metal band. They were more shock rock and traditional metal, even though they did dip their toes in the hair metal pond with the excellent power ballad “Forever Free”.

The other band that shouldn’t be on the list is Twisted Sister. Being honest, they are a glorified one hit wonder. While Stay Hungry is an excellent album the rest of their output is “eh”. Not to undercut the impact of Stay Hungry, more specifically the videos. However, one good album does not warrant being on this list.

If you listen to the Hair Nation channel on Sirius XM you will hear several acts that are not Hair Metal. Tesla is just a straight up rock band. Queensryche are a metal band that just had a big power ballad. Scorpions were extremely popular in the 70’s beforehand.

The other band I am removing is Poison. While they were an extremely popular act. One that you could argue are the poster boys for the genre, they just aren’t as good as the others.

10-Def Leppard-There is no denying how awesome their first 4 LP’s are. I listened to High N Dry the other day and it is still a mother trucker. So good. The reason I have them this low is because how they have distanced themselves from the genre and fanbase that loved them. In hindsight, it may have been a smart move since they are still playing big shows. However, I’d argue that it is because they were one of the biggest acts of that time.

9-White Lion-Pretty boy lead singer

Shredding guitar god

Huge power ballad √

While they did have three keys to this genre, they were also a really good band. 4 solid albums is nothing to sneeze at. As a whole they hold up better than one would think. Plus, I love their cover of Radar Love. Lastly, the fact that after the band broke up, guitarist Vito Bratta just said “fuck it!!” and left the music industry is bad ass.

8-Warrant-There are several bands that were severely harmed by their biggest hit. Extreme and Saigon Kick were so different than the songs they became known for. While “Cherry Pie” was a big hit and a popular video, it became an anchor for the band. It’s a shame because they were so much more. I remember driving and listening to Z-Rock, anyone remember that? I heard this heavy yet catchy song that blew my mind. When the DJ said it was “Uncle Tom’s Cabin” by Warrant I was dumbfounded. Previously, they were just a band that was there but that song changed my mind. Then they released the acoustic version of “I Saw Red” and was all in. But the “Cherry Pie” video with all it’s over the top cliché was the perfect touchstone for naysayers. Unfortunate because the band never got a fair chance withtheir follow-up Dog Eat Dog an oustanding album. Even their “grunge” album Ultraphobic is good. Plus, the two albums they have recorded with new singer Robert Mason hold their own with the catalog.

7-Cinderella-This is another band that is wrongfully pigeon-holed. When you look at the cover of their first album, they are totally glammed out. Because of that I think they are thought of as a Poison clone when they are clearly not. The sound is a lot heavier than one thinks. Tom Keifer’s voice is one of the more unique ones plus being a fantastic songwriter too. Cinderella really made a leap from Night Songs to Long Cold Winter. Heartbreak Station was a slip though. Keifer’s throat problems have hurt the band more than once tour-wise hindering their growth. Every time they seemed poise to have a comeback and do something big it ended up not happening. Plus, they made the most awesome commercial for a chili dog stand..

6-Dokken-It’s funny researching all these bands, it seems like 4 albums in and it goes off the rails. Same with Dokken but I get why they broke up, Don is kind of an ass and George is no saint himself. The band has an interesting backstory in that Don essentially joined George’s band yet somehow they ended up using Don’s last name. In between all the ego clashes and silliness, they released some essential albums. Great mix of a commercial sound with a heaviness to it. Plus Lynch was a monster player. Even their comeback album Dysfunctional is good. It was originally released in Japan simply titled Dokken. It sold so well that Elektra in the States picked it up, added some songs and remixed it. Get the original Japanese version as it sounds more like classic Dokken while the US version tries to make them sound alternative. It still sold over 300k copies which is amazing at that time. Since then been a lot of misses and drama. The Erase the Slate album with Reb Beach on guitar is severely overlooked. I think most of the criticism of the band nowadays is because of the band fighting than the music. Shame.

5-RATT-It has always amazed me how overlooked RATT are. I don’t know if it’s because they were one of the first bands to break through but they have a fantastic catalog. The 5 studio albums have at least 2 hits per. That doesn’t even include their EP with “You Think You’re Tough” arguably their best song. They never had the big power ballad that others did but I kind of respect them for not forcing one. Warren DeMartini was the requisite guitar hero and he’s still held on high regard. Bonus points for their comeback album Infestation being so good it holds its own. The legal fighting over who holds the band name has not helped the bands profile though.

4-Whitesnake-Now some may wonder how I can include Whitesnake here when I left off the Scorpions since both bands were active in the 70’s. One, it’s my list. Two, Whitesnake was basically a blues band until John Sykes joined the band and guitar driven, stripper anthems emerged. I have always said if there is a Stripping Hall Of Fame, Whitesnake should be in there. The amount of dollar bills that went flying because songs from the ’87 album came on is innumerable. The album before it, Slide It In is often overlooked and is the blueprint for ‘87. While the videos of Tawne Kittaen and multiple Jaguars looks silly, the songs still hold up after all these years. The lyrics are dripping with sexual innuendo that became passe, listening to them now they just seem fun. A deep dive is the import album Starker in Tokyo, an acoustic album with just Dave and Adrian Vandenberg. The last two releases Good To Be Bad and Forevermore should not be overlooked.

3-Skid Row-Rolling Stone magazine once declared Sebastian Bach as the last genetically engineered front man. While it has been decades since they wrote that I still thinks it holds true. He was like David Lee Roth with an anger streak. He’s tall and good looking with unbelievable pipes and he knows it. They had the huge power ballad but they were able to not be defined by it. Amazingly they got heavier as they went along. Seeing the video for “Slave To The Grind” after being bombarded by “ I Will Remember You” the previous year was like seeing a color TV the first time. You have to remember on this album they took Pantera out as their opener. After that came Subhuman Race, released in 1995 and is one of the greatest albums that most people never heard. I understand some will say I have them too high since they ostensibly had only 3 albums and most only heard of two.

They need to revisit the catalog.

2-Motley Crüe– It’s tempting to put this band at number one just because of their autobiography The Dirt. Seriously, that book is a degenerate bible. And I mean that in a good way. Nonetheless, the band’s music is pretty legendary. They ended on Dr. Feelgood, their biggest album which is highly unusual. Motley seemed to go up a rung on every album while changing their look and style. Even weirder they changed the logo every album too. No one has ever done that. They sounded so raw on Too Fast For Love that it’s almost punk. It’s a shame Elektra cleaned it up the mix, that’s why you should try to find the original copy on Leathur Records . I don’t know if it’s a demerit but for me their best album is Motley Crue the one without Vince Neil. John Corabi added so much as a singer and lyricist it’s a shame we didn’t get to hear more. Still there are hits after hits on the Neil ones. Look at the setlist for the retirement shows and there are at least a half dozen songs they could’ve added. I know I should take off points for their obvious “going through the motions” retirement tour. Tommy’s drum kit messing up on the last show was an unfortunate yet fitting coda for them.

1-Winger-OK. I know people are calling me names after seeing I have Winger at number 1. I don’t care. I think they are the best band of this genre. Forget about the videos of Kip dancing around and concentrate on the music. Incredibly well crafted hard rock. They were the perfect package. The band are all incredibly competent musicians. Kip studied classical music before playing with Alice Cooper where he met guitarist/keyboardist Paul Taylor. Reb Beach had been a sought after session guitarist and drummer Rod Morgenstein played with the Dixie Dregs. Plus they had the songs. Their MTV popularity was what killed them when Beavis and Butthead came in to popularity. A real shame because they had just released Pull, a truly great album. If given a chance I think people would see the growth they always accused the band of not being capable of. Winger broke up but got back together for IV. After that was Karma and lastly Better Days Comin‘. The band has figured out a schedule to work around everyone’s solo stuff and get back together and make great music. That freedom allows the band to relax and just be themselves. They don’t seem to run from their history like others. Time has passed and on and the line “She’s Only Seventeen” gets changed to “She’s Only 43” at shows nowadays. It’s perfectly pays homage to the song while acknowledging that everyone has gotten older. Older but still having fun.

So there its is. I doubt many, if any, will agree with my list. That’s fine. If you haven’t listened to any of the albums I used to justify a bands rating. I urge you to give it a spin and see if I changes your mind.

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The perfect Guns N’ Roses-Use Your Illusion album

use_your_illusion_pro_by_martinezivan24-d5wemdw

 

The holiday is a desert for new releases and ironically, wrong usage, I actually have free time to write. So instead of doing a title I really have no interest in I will once again steal an idea from a podcast. Dig Me Out is a terrific podcast that focuses on lesser known releases of the 90’s. While they mainly stick to alternative, hard rock and metal occasionally sneaks in. Recently they celebrated their 200th episode and to commensurate the big achievement the episode was dedicated to Guns N Roses Use Your Illusion I & II. It was a fascinating episode with lots of info and ideas. One of my favorite tidbits was that “November Rain” was originally a 20+ minute song that had to be trimmed down.

During the course of conversation they addressed the elephant in room, should this have been 2 albums released simultaneously? One suggestion was to release several EP’s that collected similar songs together. Epic songs, bluesy songs, etc. In theory that sounds good but I think they knew that the band was on borrowed time with all the drug problems the various members had. Plus, who knew what the music climate would be by the time EP #4 came out. In truth the music world of 1991 when this was released and in 3 years later 1994 were totally different. You could have released one and then another 12-18 months later but you if #2 sells way less than #1 the media will go bananas. Plus this was the time when record releases were a big deal. Fans would line up and pack stores for midnight releases. A couple years later with grunge killing the rock star and the internet changing the industry, big releases were not the same.

The spark for this article was them mentioning about cherry picking the two albums and creating the ultimate Use Your Illusion. This idea really intrigued me with a combined 29 songs between the two, only counting “Don’t Cry” once, and deciding on what 10 songs would make the best album is a fun idea.

So the following are my 10 songs plus the order they should be on the album. I think that can be an overlooked aspect to a release and it is VERY evident on the two Use Your Illusions. I is alright but having “The Garden” followed by “The Garden of Eden” is just lazy. It gives the impression that the two tracks are tied together. II is just a mess. “Civil War” is a great song but not an opener. All the fast energetic songs are in the middle and the big single “You could Be Mine” is track 12.

12!!

With all that said, let’s kick this pig.

Scott’s Ultimate Use Your Illusion

Track 1-”You Could Be Mine”-This is the perfect album opener. Upbeat, already popular from the Terminator 2 soundtrack, listeners will be on board from the jump.

Track 2-”Garden of Eden”-Want to keep up the tempo from the 1st track. Plus it sounds like it could come from Appetite.

Track 3-”Civil War”-after those two rockers, this serves as a bridge from what they were to what they want to be.

Track 4-”Live and Let Die”-This is such a good cover that I don’t want to bury it on the back of the album. Plus the bombast of it leads perfectly into…

Track 5-”November Rain”-The opening piano note is a perfect segue from Track 4. The midway point is perfect this song.

Track 6-”The Garden”-It follows “November Rain” on I and I think it works. Coming off the grandiose-ness of the previous track you need to something different but not vanilla. The soft/heavy flux of this track and the Alice Cooper guest vocals work perfectly. I know the Dig Me Out guys didn’t like this song but I really do.

Track 7-”Dust N’ Bones”-One of the few songs where Izzy sang. Great song showing the bands roots.

Track 8-”Estranged”-The other big epic song. If I only hear this song once every 6 months, it’s my favorite off these albums. Slash’s guitar sound is just nasty and that simple 4 note riff is killer. I do wish that they had a big name producer on this album that would’ve cut about 90 seconds out of the middle and this song would be legendary. I think you have to have it far enough away from “November Rain “ to give listeners a chance to recover.

Track 9-”Pretty Tied Up”– I like the jangliness of the song and after “Estranged” you need some normalcy. Plus it leads right into…

Track 10-”You Ain’t The First”– I love the acoustic sound of this, very Stones/Aerosmith plus it echoes the Lies EP. I think this is the perfect ending,

I realize I left off “Don’t Cry”and the reason why is you already have 2 “kind of” ballads on here. I could cheat and say that it is a Japanese Bonus track along with “So Fine”. Nowadays, people do not remember how big a deal it was getting UK or Japan import of a release just for the bonus tracks. Plus, after seeing Shannon Hoon on the video and hearing that he sang on it I was excited to hear Blind Melon. Then when I actually heard it, it made me wish that God did not give us ears. Horrible.

I am pretty solid on the song choices I made, the only argument would be on the order but my reasoning for tempo and feel will stay.

One of the other favorite tracks mentioned on the podcast was “Coma”. The track is alright but with 2 other long songs that I think are better, this album is better served without it. “Bad Obsession” was the one song that was a tough cut. Honestly I had that in the Track 7 slot and then heard “Dust N’ Bones” again and made the switch. With the success and notoriety of “November Rain”, “Estranged”, and “Civil War”, I think people overlook how many good rock songs are on here.

Along with making up two new words, I believe I laid out solid reasons of what I think would make the best single disc version of Use Your Illusion. Am I right on or way off base?

Just let me know.

 

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Top 5 Live Albums That Mean The Most Personally

Once again to get myself out of a writing drought I have stolen an idea for an article from a podcast. A recent episode of the Decibel Geek Podcast had Luc Carl the Ayatollah of Jack & Cola and a Sirius/XM host on their show. During this episode they listed their 5 most personal live albums. These are not the best live albums in their opinions but the ones that meant the most to them personally. It was an interesting episode and as one that liked making lists, sounded like a fun exercise.

Dokken_-_One_Live_Night
5)Dokken-One Night Live-There always has to be an odd choice, doesn’t there? I know people are thinking if you are going to chose a Dokken live album, why not Beast From The East? It is a great album after all. True but it came out when that genre was at it’s apex and I wasn’t that big a Dokken fan back then. Fast forward 8 years later and Seattle has wiped away Dokken and all of their contemporaries. After a couple years of the grunge scene, the morose flannel wearers had gotten boring and people remembered they liked blow jobs. While Japan did embrace grunge they never shunned bands like Dokken. So after a very good reunion album, get the Japanese version, they got the band to do an live acoustic one too. To be honest it is pseudo-acoustic as George in plugged in. One Night Live showed how great the band is and it is a nice snapshot of those guys enjoying the music they created with each other. They did a nice job of reworking their songs to fit acoustically. Plus it’s where we first heard their cover of “In The Beginning” and “Nowhere Man”. The reason this resonated with me so much as it was a life line in some dire music times. While I did enjoy a lot of the Seattle stuff , the Dokken reunion helped re-ignite my love for the cockrock of 80’s & 90’s Hard Rock.

Maiden
4)Iron Maiden-Live After Death-Iron Maiden is a gateway band and I mean that as a compliment. I think most rock fans around my age grew liking KISS and as we got older wanting something new, Iron Maiden filled that bill. The way their album covers attracted fans could not be overstated. They were a huge draw to the teenage metalhead. Then upon hearing them it was all over. The dueling guitars and Bruce Dickinson’s air raid vocals you were hooked. Maiden was a great pathway to the Metallica’s & Slayer’s we later discovered. Live After Death was the first live album that featured Bruce and the band was arguably at their peak. Even to this day it holds up. Plus, think how many American kids know the Churchill speech just from listening to this album.

Wings-over-America-2-cover-
3)-Wings-Wings Over America-If you have cable you’ve probably seen the Wings concert “Rock Show” in the past couple of months. That is the more or less visual equivalent of the Wings Over America album. And if you’ve seen it you know how good the band was. When I was a kid my Dad was a huge Beatles fan and in turn I became one too. I took his copy of the White Album and traced a ball pen over the raised logo. He was not happy. So he had this album and in turn I had this album playing the 3 LP release incessantly. At first I was drawn to “Magneto & Titanium Man” because it was a song about comic book villains and I loved comics. But in true McCartney brilliance it was also a very catchy song. “Jet”,”Live and Let Die”, “Silly Love Songs” and the Beatles tracks still hold up to this day.

thin-lizzy-life-live
2)-Thin Lizzy-Life Live-Much like my Dokken choice, you are wondering why I chose this Thin Lizzy album instead of the much ballyhooed Live & Dangerous. Well, I came to be a Thin Lizzy fan a bit late in the game. Late being, they had just broken up. I read a blurb in my copy of Hit Parader, remember those, about the band calling it quits and recording several of the farewell shows. Several months later I saw the finished product in my local Sound Warehouse. It is an absolute stunner. The playing on it is so goddamned good and Phil is Phil in all his glory. It is a great showing of the bands history but it really showcased the recently released Thunder & Lightning. Add on that you get to hear a young John Sykes showing what he is capable of. Around that time I had just started getting into Gary Moore and knew he was once a member of Thin Lizzy. He’s here too and all of them play together on the finale “Rocker” and Sykes blows everyone off the stage.
This is a big album for me as it started me down the road to Lizzy fandom. Been obsessed with them every since as well as Gary Moore and whatever John Sykes is doing. Hell, I even bought the 21 Guns album that Scott Gorham did. It’s strange reading the Lynott biography and seeing how people hate the sound because I love it.

Alive_2_cover
1)-KISS-Alive II-I don’t know if people nowadays understand just how huge KISS was back in the day. Being a teenager during this time, they were my biggest obsession. The first time I heard them was when my uncle gave me his copy of Originals. I still have that on my shelf. The first song I learned the words to was “Making Love” even tough I had no idea what making love meant. So by the time Alive II was released they were my band. When you opened the album’s gatefold the pics inside showing the band in all its glory is beyond spectacular. At that time the only other time you would’ve seen this was either at a show or in CREEM or Hit Parader. It was everything a fan could dream of. After dropping down the needle, what came through the speakers was bliss. 3 sides of the Hottest Band In The Land doing what they do best. Plus there was Side 4 that had new songs. WHAT?!?! New songs too ?!?! Out of the 5 tracks 3 of them are keepers. I think they played “All American Man” live a couple years ago. “Rocket Ride” is arguably one of the best Ace songs, top 5 at least.
Even though I haven’t listened to the live stuff in years, it’s still my favorite live album for how it sucked me into the KISS vortex.
So there is my list in all its’ confusing glory. Unlike some of the other lists I’ve done I am pretty confident these picks.
What are your Top 5 live albums?

PS

Here’s the link to the Decibel Geek Podcast episode

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Sharon Osbourne is miserable cunt that should go away

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Last week with the unveiling of the new iPhones, Apple also announced that they had given all customers free copies of a new and unannounced U2 album. Soon afterwards the internet shit their pants. Not because this was a free album by an iconic band. Nor was it because this is another volley in the changing of the music business landscape. No, the internet freaked out because this was another way to kick dirt on U2. Now I am not a U2 fan. I think I’ve owned one album from the group. But the backlash they received was mind boggling because U2 is not the first act to pull this. Jay Z did it with Samsung and his old lady Beyonce followed suit. Now they did get a little flack but not near the level Bono and boys have. One of those critics is the reason I am writing this. Music mogul, manager, and camera whore, Sharon Osbourne offered up her opinion.

“U2 you are business moguls not musicians anymore. No wonder you have to give your mediocre music away for free cause no one wants to buy it.”

Now anyone that knows who she is should find this statement laughable on many levels. She took her husband Ozzy Osbourne, and transformed him from a bat biting, Alamo pissing on, Devil worshiping Heavy Metal singer to a clumsy lovable Dad via reality TV makeover. With that makeover came a truck load of bobble heads, T-shrts, lunchboxes, and other kitschy crap that kept Hot Topic and Spencer Gifts in the black. None of this was done for the sake of music it was to expand his profile and business. It created new revenue streams because, let’s be honest, he hasn’t released a good album in about two decades. Sharon in her incredible foresight saw the changing record industry and broke him away from the metal genre turning him into a pop culture icon. She created Ozzfest as a touring festival so he could get the rub from the upcoming metal acts while at the same time positioning him as a musical deity when years before he could not fill most arenas. Then all the TV shows, don’t forget the variety show she had so her talent less kids could get more undeserved airtime. Again, she had turned him into a brand. Music was just a branch of a growing music business tree.
And kudos to her.
She learned just like The Beatles and Elvis and KISS did, make that money while you can. However, she went from being a shrewd business manager to an egomaniac cunt. From the show she made herself a star and it all went downhill. She has picked fights with almost 90% of the music business and never looked good doing it. From not giving Bob Daisley or Lee Kerslake proper credit. To stealing all writing credits from Jake E Lee for Bark At The Moon. To suing Tony Iommi for 50% of the rights to Black Sabbath. She did this to insure that all 4 original members would share equally from the name.

That is the definition of fuzzy math.

It then came as a surprise that leading up to the Sabbath reunion drummer Bill Ward said he was not participating because he was not getting a fair offer. Her lawsuit to get everyone 25% each quickly turned into Bill getting a reported 4%. As disgusting as that was, and it was, she made a business decision because she knew musically Ozzy doesn’t have it anymore.
So her remarks about the U2-Apple deal were puzzling. Yes, U2 are business moguls just as she is. They cut a great deal with Apple for this album plus I’m sure there is another deal to use U2 music in future ads for a certain amount of time. When they release the physical copies of the album in a couple months they’ll get more talk from this Apple deal. Again, get that money. Even more puzzling about her remarks is many bands of the Metal genre have done something similar. The Melvins, among others, have released free EP’s through a relationship with auto manufacturer Scion. Converse sneakers have offered similar arrangements.
I’m starting to think that the reason she is mad is because she wasn’t able to pull this off. For all of her work in making Ozzy bigger than the genre but to corporate America he is still the vile guy that killed a dove. So since she couldn’t make it happen she’s criticizing those that did. I still bet that in a couple years will see a deal with Ozzy and Burger King and she’ll sing a different tune.

Just like Ozzy’s it will probably suck.

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KISS in the 80’s aka Scott looks back fondly on his teenage years

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One of my favorite podcasts, ROCK AND OR ROLL SHOW, just did an episode on KISS in the 80’s. In that episode they went over each KISS album from that decade, talking about each album plus all the band happenings. At the end of the episode, the two hosts chose their Top 10 songs from that decade of KISS. Me being a sucker of music lists, got inspired and decided to do one of my own. Please listen to the podcast as it’s very well done and has oodles of KISS trivia.
I grew up with KISS, they are my band. The band that no matter what they do you still like them. Even when you don’t. I remember my Uncle Brian giving me his copy of The Originals and being entranced. I watched the dreadful KISS Meets the Phantom Of The Park and loved it. Still do today but on another level. The big turn for me was the release of Dynasty. When my Dad said he liked a couple songs I knew something was wrong. Then the 80’s hit and my favorite band was just another act. When I looked at the cover for Unmasked and the comic has someone saying “They Stink” on it, it was telling. Line-up changes and dwindling sales turned KISS from being the “biggest band in the world” to just another rock act. So I re-listened to the albums from Unmasked through Hot In The Shade. Ironically the biggest selling album of the decade was Smashes, Thrashes, & Hits, a compilation with 2 new tracks neither I wanted to remember.

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The aforementioned Unmasked was released in 1980. It would be drummer Peter Criss’ last official album as he had one foot out the door. Like all of the 80’s albums, it is very hit or miss. The productions is way off. I don’t know if it’s because they just did the disco album or if producer Vini Poncia felt just like Peter.”Shandi” was the single and I bought the 45, it’s around here somewhere. In hindsight it is a very lackluster love song and I still have not met anyone named Shandi. Got to say I’m a little disappointed by that. My pre-teen mind did not understand but was still fascinated by some of the odd song titles, “Torpedo Girl” & “She’s So European”. That and the opening line of , cats drooling on the bar stool, from “Is That You” still makes me smile to this day. Although it took me years to realize he didn’t mean a feline when referencing cat. There are two songs from this album I still like. “Is That You” and “Tomorrow”. Both Paul songs with the second one being just a perfect pop rock gem.

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Next is the very odd Music From “The Elder”. This concept album was supposed to be the catalyst for a movie. Never happened and after listening you know why. Poor Eric Carr gets his big break in joining KISS and this is what happen. Also, over hyped and glorified one hit wonder Lou Reed did some writing with them insuring that this would be KISS” worst LP. I remember staying up late to watch them on the show Fridays. They did “World Without Heroes” a ballad where Gene literally sheds a tear and “The Oath”. The only song I really like is “I”. Very upbeat, uplifting rocker that is a motivational poster in audio. Plus having Paul and Gene both sings lead is pretty cool too.

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1982 ushered in another change for KISS. Guitarist Ace Frehley and his car lost a fight with a tree and he exits. Even though he is on the cover of Creatures Of The Night, he doesn’t play on it. Most of it is done by his replacement Vinnie Vincent who also co-wrote a bunch of songs. This album is a welcome return to the bands hard rock roots. “I Love It Loud” was all over MTV and “War Machine” became a staple of entrance themes for pro wrestlers. Watching Humongous use it coming to the ring back in the Mid-South days.

The standout track is the title track a full on metal song and one of the heaviest for the band.

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That was supposed to be a comeback album for KISS but it did not sell well. I guess The Elder put a stench on the band that could not be washed away so quickly. KISS ditched the makeup and released Lick It Up. The not too subtle named album was a big seller and had two big videos from it. The title track and “All Hell’s Breaking Loose”. Both featured a post-apocalyptic world that was in vogue back then.
Thank you The Road Warrior.
Lots of people, including the podcast, do not like “Breaking Loose” but I love it. Paul’s rap is so Paul that I don’t see how you could not like it. Plus it has an infectious guitar riff.

During this decade Gene started dabbling in other things and his songs really took a backseat. However, his sexual innuendo laden “Fits Like A Glove” I really like. Now it might be due to hearing this as I was going through puberty.

kissanimal
1984 had the band replacing another member. Out went Vinnie Vincent and in came Mark St. John. Animalize is his only appearance as Reiter’s Syndrome forced him out of playing. “Heaven’s On Fire” was the hit but it was “too simple” for me. I did like “Thrills In The Night” but the album as a whole was kind of boring. They really missed having Vinnie Vincent as a writer. If KISS would have recorded some of the songs from his Invasion album…..

kissasylum
The year of 1985 was same song, different day for KISS. Guitarist Mark St. John was out and Bruce Kulick was in. He had been touring in place of St. John but Asylum was his recording debut. The videos for this album are hideous. Bright colors, fringe, and volcanoes, just ewwww. Unfortunately those images are what people remember and not the songs. “Tears Are Falling” was the lead video and warning image. Nice song that featured curtains being ripped down which somehow became a staple in the 80’s.

Asylum was a showcase for Paul’s songwriting. The standout track for me was “Who Wants To Be Lonely?”. He just knows how to write a catchy love song.

Thankfully, with Gene dabbling in acting Paul made sure we did not go without a sex song. The working for the weekend anthem got turned on it’s literal back for “UH All Night”. The sex sells idea of the 80’s was on full display here. However I think this is where the “Paul Is Gay” rumors start. That captains hat paired with his open chest was a curious choice.

kisscrazy

Crazy Nights broke the revolving guitarist streak. The album reflected the band actually having a steady lineup. Still Simmons was off doing things so Kulick got more writing time. They even let him do some shredding on the lone good Gene track “No No No”. KISS also brought in Desmond Child and Dianne Warren. Yes that Dianne Warren, she of the Aerosmith ballad lame, I mean fame. The host of the podcast, BJ,  loved her track “Turn On the Night” but I found it too Bon Jovi with its keyboard popness.


The title track was interesting since the video had Gene and Paul putting the makeup back on. It was a pretty good song too even though the standing up for yourself lyrics had grown tired by then.


The other notable song is “Reason To Believe”. Paul and Desmond created a terrific ballad that is right in Paul’s wheelhouse. It fit in with the 80’s hard rock at the time but it was still KISS.

kisshits
Next up was the Smashes, Thrashes, & Hits compilation. For a greatest hits collection it was alright, it did touch on all their history. But it also had Eric Carr re-record “Beth” which he, and the fans, were not too fond of. Paul wrote both of the new tracks and they were as subtle as a pool party at the Hustler mansion. “(You Make Me) Rock Hard” and “Let’s Put The X in Sex” try way too hard and would have been better off left on the demo pile.

kisshot
The Eighties finished up with Hot In The Shade. Rolling Stone magazine made a list of Top 10 KISS records and they had this #10. To be fair there is some good stuff but is weighed down with 15 songs, about 5 too many. It has “Hide Your Heart”which former KISS guitarist Ace Frehley covered and was on his solo album that came out a week before KISS’. It is a Stanley/Child song that did not make it on Crazy Nights and was offered to other artists, but still. I do like KISS’ version a lot.

Paul’s love for ballads had him co-write a song with future white man of soul Michael Bolton on “Forever”. Another great ballad from Paul and it was a big hit for the band, even landing in the Top 10.

Interestingly, there are two Gene tracks that he co-wrote with future KISS guitarist Tommy Thayer. Neither are worth writing home about. Eric Carr finally got the chance to sing on “Little Caesar”. It has a nice chorus but the riff is kind of generic. Shame he didn’t get a chance to sing more.
So there was the overview on the 80’s KISS albums. After sorting through them, warts and all, here is my….

Top 10 KISS tracks of the 80’s
10)-Fits Like A Glove
9)-Uh! All Night
8)-Is That You?
7)-All Hell’s Breaking Loose
6)-Who Wants To Be Lonely
5)-War Machine
4)-Forever
3)-I
2)-Tomorrow
1)-Creatures Of The Night
I’ve switched these around several times in the past day. If you asked my next week I might have a different list.
What do you think?

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A look at Sirius/XM for the Metalheads

 

sirius-xm-radio

 

Satellite radio has been around for awhile and I finally jumped on board a year ago. My job requires me to drive a lot so I am in my car a lot. I used Pandora and my iTunes a lot but there is just something about a radio station. I heard Sirius/XM when I was with an ex. Driving around in her car I got a good opportunity to hear what was offered. Sadly, that was the only positive experience I got from that horrible horrible woman. I loved how this product satisfied my musical tastes, all of them. However I just want to focus on the ones that service the heavier stuff. With the Clear Channel effect all over our terrestrial radio dial, satellite is something that metalheads should really look into. The channels I want to concentrate on are Channels 38 to 40, Ozzy’s Boneyard, Hair Nation, and Liquid Metal.

ozzyBoneyard, I refuse to use the Ozzy label because of the horrible woman that is Sharon Osbourne, is a really good classic hard rock/metal station. They do a real nice job of mixing stuff up so you are not hearing “Iron Man” every 30 minutes. Band selection is nice, besides the obvious, Sabbath, Priest, Maiden, you get Tank, and Diamond Head and a plethora of others. You will find yourself saying “I haven’t heard that in a while” a lot. No shows except for an hour hosted by Jim Norton and Ultimate Sinner where a listener gets to pick 5 songs. A nice little feature. They occasionally play some new music from veteran bands already on the play list. Music wise, it is a great listen that you will have no problem leaving on for hours straight.

The big drawback to me is the Ozzy affiliation. Granted I probably hate Sharon way more than anyone else. And that hatred has tarnished Ozzy’s music to me. I cannot even listen to his era of Black Sabbath anymore because of her but I can overlook that most of the time. What bugs me is that every promo for the station is Ozzy related. From him mumbling about some story from 1984 or hearing Sharon or one of their idiotic kids tell a story about him, it’s stomach churning. The ball washing gets worse when they have famous metal musicians talk about how great Ozzy is. It is really sickening and it is the main reason I change the channel.

hairNext on the dial, is Channel 39 Hair Nation. As the name suggests it has all the bands from 80’s and 90’s with big hair that were the lifeblood of Headbangers Ball. This was the station that really hooked me one getting Sirius/XM. I remember driving with the awful ex and on came Sleez Beez. C’mon where else are you going to hear Sleez Beez? When I first got the radio I remember hearing a D:A:D song and thinking this was the greatest purchase that I ever made. What I didn’t realize is that they would play that same song over and over again. I know I am in my car a lot but it is like bad FM radio overkill. Then I noticed that they did this a lot. Heard “Gimme Your Love” from McAuley Schenker Group and got that D:A:D happy feeling. Then I heard it again and again. The station has a pattern of pulling out a band and playing their hit. Then they play that song over and over and then put that band back on the shelf. Why they won’t play another song I have no idea. They will however play the fuck out of Bon Jovi. Someone there loves them some Bon Jovi because you will l hear a BJ song every 30 minutes and that is not a good thing. I seriously think that Bon Jovi has a deal with this channel similar to what Ozzy has with Boneyard. This station never plays new music even though many of the bands the play have released new material. They did however play the new Richie Sambora single, furthering my Bon Jovi conspiracy theory. Plus they do not have a listener show like the other two stations do. This went from being one of my favorites to being one that I hit and run on. Hair Nation is also the home to Eddie Trunk who has a show on Monday night. However he plays more stuff you hear on Boneyard but that vile cunt Sharon had him kicked off that channel because he dared to criticize Ozzy.

sirius_xm_liquid_metalLast but not least is Channel 40, Liquid Metal. They play all of the new metal bands plus lots of the originators. When I say Metal I mean METAL. Cannibal Corpse, Slipknot, High On Fire, real heavy stuff. They do a nice job of crossing the many genres of Metal. Thrash, death, stoner, black you name it. Liquid Metal also does a great job on featuring new bands and letting listeners know when an important album is coming out. Occasionally they play some bands that are better off on Octane, a channel for new Hard Rock, but that is being picky. They also have Listener Domination, their show lets a listener a chance to pick three songs and say why. One of my favorite things about the station is Bloody Roots a show hosted by renowned Metal author Ian Christie. He will have a different theme for each show and does a fantastic job of giving tidbits and back story plus lots of the stuff he plays you will not hear any other time.

I think the reason that Boneyard and Liquid Metal are run so well is that Jose Mangin seemingly is in charge of both. His voice is on promos for both channels and they both have a listener show. He is the afternoon host and some may remember him when MTV did a Headbangers Ball special. He is a nice enough guy that obviously loves Metal. However he kind of bugs me. Maybe because he is always UP or maybe it is that he still has a faux hawk and still wears Affliction shirts. Logic would dictate that he would be in charge of Hair Nation as well and if so he is doing a shitty job.

Earlier I mentioned Octane on Channel 37. They play modern hard rock a long the lines of In This Moment, Chevelle, and Sevendust. It’s not a bad station I listen occasionally but a lot of what they play I don’t care for.

Yes I do realize there is a huge “Kids these days” factor present.

While I have become disappointed in Hair Nation and the Ozzy ass kissing makes me want to puke on my passenger seat, but I cannot recommend getting Sirius/XM enough. It really satisfies my musical desires plus there is a bunch of other great stuff available. I love being able to go from Mastodon to Glen Miller to listening to an Astros game. I got the Onyx model and I am able to take that from my car to another car or inside. Terrific if you drive more than one vehicle plus you can listen to it on your smartphone or online from your computer.

Seriously go get it.

Now.

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R.I.P. Gary Moore

The music world got some sad news on Sunday. Legendary guitar player Gary Moore had passed away. From his time in Thin Lizzy to his solo rock work and lastly his blues phase, he is without a doubt one of the greatest guitarist of all-time. When you look back, it is kind of funny how he was never considered on of the top gunslingers at the time. He was not as flashy or fast as the shredders of the 70’s and 80’s. Many purist did not consider him a real blues man, even when they heard the undeniable proof with their own ears.

He is probably best known for his stints in Thin Lizzy. While he was in and out on several occasions, he did record one of their best albums Black Rose:A Rock Legend. Even when he was not in the band, his connection and friendship with Phil Lynott was always there. From Lizzy reworking one of his songs to Phil showing up on Gary’s “Out In The Fields” song and video. For many of us that was the last time we saw Phil and seeing them together was somewhat poetic. Gary’s biggest solo success was with the hit “Parisienne Walkways”. Ironically, a touching ballad but any avid fan would tell you of Gary’s love and propensity for making touching ballads.

The one track that was my gateway to Gary Moore was “End of the World” off of Corridors of Power. I was a teenager in the 80’s and this song came on the radio in the middle of the night. It was playing on the clock radio and the power and uniqueness of this song woke me up. I shot straight up and any slumber I had was gone as I drank in note after note. You have to remember at the time shredders were a dime a dozen and it was tough to really impress a young headbanger, especially one that was ordering stuff by the truckload from Shrapnel Records. But impress me it did and the next day I drove to Sound Warehouse and bought said cassette and immediately cued up side 2 so I could hear “End of the World” again to make sure it was not some dream. It was real and was just as great as I remembered. The funny thing about that story is I have heard similar ones from other people. By buddy Dave heard it in the middle of the night while he was driving and had to pull over to the side of the road just so he could concentrate on it.

Gary released several more rock records. The aforementioned “Out In The Fields”, was from Run For Cover, a terrific album whose lyrical content reflected his anti-war mentality. Another gem on the same album was “Empty Rooms” a lovely ballad of regret. And in true Irishmen form “All Messed Up” a hard rockin; song about hard partyin’. Wild Frontier came out after that and showcased his Irish roots. His last rock record was After The War, while not his strongest release it had the awesome “Led Clones” a not so subtle shot at bands like Kingdom Come that were blatantly ripping off Zeppelin.

It was then that Gary left rock behind. He started releasing well received blues records and immersed himself in that scene. The only time he did some rock stuff was a tribute to Phil and the album Scars. This was a very interesting album he did with members of the band Skunk Anansie and Primal Scream. It was back to the blues and in 2008 he came out with Close As You Get. I thought this was his best non-rock album. The blues stuff had a more rocking tough and it also had “Evenin”. An instrumental ballad that told a beautiful sorrowful story without the need for words.

Besides his overflowing catalog of great music, he is also known for a job he did not get. Gary was the original pick for guitarist on Ozzy’s solo debut. Unfortunately an accident happened and Gary could not make a go of it and the rest is history. It was probably for the best as having Gary and Ozzy on tour together would have shortened their careers. The human liver can only take so much. One other non-musical fact about Gary is the huge scar on his face. He got that after being stabbed in the face with a knife It also gave us the greatest line from Ozzy. He remarked that Gary Moore had a face like a welders bench.

Thankfully Gary’s hands were fine and we were able to receive his greatest gift through all those years.

Even though he maybe gone his music will be with us. Even though he may have been unheralded, those of us that heard him, knew he was the best.

The proof is in his music.

 

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1st Annual Year In Metal Wrap-up (a little late)

Everyone has read countless lists of top 10’s or Top 20’s or whatever. While I love making and reading these lists as much as the next guy, I want to do something a little different. So here is the 1st Annual, even though it cannot be annual if it is the first, Year in Metal Wrapup.

Album of the Year


Bad City-Welcome To the Wasteland

I came across this album from the good folks at Metal Excess. They gave it a great review and I love it even more. It has to be one of the most fun hard rock albums I have heard in years. The closest example I can think of is when I first heard The Darkness. It has the same throwback 70’s rock feel but sprinkled in with a little 80’s esthetic, namely the “gang vocals” that permeate many of the songs. However, it does not sounded dated as quality knows no age. The cherry on this musical sundae is “Call Paul Stanley”. The four-and a half minute ode to rockstar dreams, name checks the legendary KISS frontman all the while paying homage in the best song of the year.  I cannot recommend this album enough and guarantee that you will like it. Not a money back guarantee because I am broke but you get the idea.  Go buy this album.  NOW!!

Video

Runner up-Overkill-Ironbound

Surprise of the Year


RATT-Infestation

With the 80’s hard rock nostalgia running rampant you had to wander if this was just a cash grab. The propensity for disaster was high. The last time anyone heard of RATT was with ex-Love/Hate vocalist Jizzy Pearl out front and former Crue-er John Corabi singing backups and rhythm guitar. Carlos Cavazo was recruited to replace Corabi and original singer Stephen Pearcy returned. The band could have easily done festivals and shows playing the old stuff. Thankfully what they did was hunker down in the studio and cranked out a terrific slab of hard rock goodies that serve as enduring legacy of the band. It hits you from the go on “Eat me Up Alive” with its’ sexually tinged lyrics and trademark Warren DeMartini riffs. Every song fits easily in to the RATT catalog and if you saw them live this past summer you can attest to that.

Runner up-Accept-Blood Of the Nations

Disappointment of the Year

Monster Magnet-Mastermind

Now I love me some Monster Magnet. I love that mainman Dave Wyndorf has stuck to a formula that only he knows. His brand of stoner/space rock is unique unto itself and the fact that his lyrics seem to be written as if they were from a stream of conscience acid induced rant, just seems to make it better. Mastermind is not a bad album per se, it is just not nearly as good as the previous Monster Magnet releases. There are several good tracks on here “Dig That Hole” and lead single “Gods and Punks” That track is accompanied by a terrific video. Those songs aside, the album just feels very lethargic, I know that may seem ironic since this is Monster Magnet, but  on all the other albums the slower stuff had a swing or a groove to it that drew you in. Mastermind just seems to sit there at times, leaving you very unfulfilled. 

Runner-up-Stone Temple Pilots-S/T

Best Metal Event of the Year

The Big Four Shows

As time has unfolded, the chances of seeing Metallica, Slayer, Megadeth, and Anthrax all together has seemed very slight. While some had played with one another on previous tours, a package that included all the Big 4 of Thrash Metal just seemed like chatter. There were so many hurdles for this to come together. Metallica is the biggest band in the world and they do not need to. Megadeth, is burdened with Dave Mustaine and his public feuds with members of Slayer and Metallica. Slayer, had been feuding with Mustaine on personal and musical levels. Anthrax while always up for a show had gone through 3 singers in the span of a year. So when the good fortune happened that this came true, it was a headbangers dream come true. The bands played a series of festivals in Europe and the shows were  immortalized in a DVD set for all to see. They were even shown in theaters in the States and in true metal tradition, the cops were called. Although they did not make it here to the States all the acts have indicated that is something they would love to do. Hopefully the stars will aline for that.

Runner Up-?

Worst Metal Event of the Year

Ronnie James Dio loses his fight with cancer.

When word spread that Dio had died of caner is rocked the metal community. It was only a month before that he had said how good he felt and that his prospects were looking good. Fans had just seen him at the Revolver Golden Gods Awards and it seemed like he was going to beat it. However as strong as Dio may have been, cancer was much stronger. Losing anyone to cancer is horrible but when you lose someone that seemed liked a part of the family to millions worldwide it is devastating. His passing was sad because he was still singing great and releasing quality music. While that may be a selfish  attitude as a fan, Dio being there for as long as he did was an inspiration for many and provided enjoyment that cannot be measured.

We see musicians die every year, that is not a new thing. Losing Dio or legendary metal manager Debbie Abono to caner is sad. Seeing some junkie musician die at their own hands while sad in one way is not deserving of the same emotion. When people like the formers pass, it let’s us know how fleeting life actually is. We are coming upon a time where many of the founders are getting up in age and nature will take its’ course. The obits will start to fill as the legends pass on. And while we will mourn the loss and fondly remember of the joy they brought us, it will also remind us of our own mortality.

There has been some good come out of Dio’s passing. Outreach of cancer awareness in the metal community has come to the forefront. With Ronnie’s and others passing’s, more and more headbangers are hopefully having the necessary checkups done. Wendy Dio, is heading the Stand Up And Shout Foundation and raising funds for cancer research. They recently donated over $100,000 to M.D, Anderson Hospital in Houston, the facility where Ronnie received treatment.

Runner Up-Slash defacing his Guns N Roses legacy by having  that talentless ho bag Fergie sing on Sweet Child O’Mine.

Most Anticipated For This Year

New Mastodon album

This past year was a little light in “holy shit” releases. Last year there was new ones from Lamb of God, Megadeth, and Slayer, among other notables. With the possibility of the Georgia quartet delivering a new platter of metal goodness, I am a twitter like a schoolgirl seeing Justin Beiber. It will be a great day when I open the Sunday ad for Best Buy and see Mastodon listed next to whatever Youtube sensation or middle-class gangster wannabe.

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Coming soon….

Get ready bitches!!!!!

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