Monthly Archives: February 2015

Adrenaline Mob-Dearly Departed

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If you look at my past reviews you can see I am not the biggest fan of Adrenaline Mob. In fact I think the band may have taken on their namesake and put a hit out me. So it must seem odd that once again I am tackling their newest. Call it self flagellation or more likely that it’s February and there is not a lot out. Dearly Departed is a mini-LP mostly made up of covers or acoustic numbers. They did this right after their debut album and I like this idea. Alice In Chains did it and I think it’s a nice way of staying in the public eye without milking the cow.

Let’s address the covers first. Dearly Departed kicks off with Pat Travers’ “Snorting Whiskey”. This is a blazing cover and it had me rethinking my attitude towards the band by the time it hit the chorus. It is a balls out rockin’ version of this 70’s classic and you can hear the band enjoying themselves. Especially guitarist Mike Orlando who sounds like a mixture of an Allman brother and an 80’s shredder on here. Queen’s “Tie Your Mother Down” also gets the treatment and it is a good one. The feeling is like this is a fun practice room song that they just decided to record. I applaud the guys for choosing some not too obvious songs. However, just because it is a surprising choice does not mean it is a good one. Case in point is their version of “Devil Went Down To Georgia”. It sounds exactly as you would imagine and it’s not nearly as clever as it needed to be. The last cover on here is a “Black Sabbath Medley”. It is about as original sounding as that title. One highlight is drummer AJ Pero channeling his inner Animal and going bat shit insane on it. There needs to be a moratorium on bands covering Sabbath, Metallica, and Slayer. Just don’t do it. You will always be compared to the original and in doing so will always be lacking.

Along with the covers, the other draw is the three acoustic interpretations on here. Each one of them being very good. Russell Allen really gets a chance to show off his voice on them. “Crystal Clear” and “Angel Sky” have full band accompaniment on them but the acoustic vibe is still there and the stripped down quality is delicious. As good as those versions are, “All On The Line” is legendary. With just Russell and Mike alone with a guitar the emotion really comes through. Really beautiful and powerful.

Dearly Departed is rounded out with a radio edit of the title track. Taking off that extra minute really streamlined the song and makes modern rock keeper. “Gets You Through The Night” is an unreleased track from Men Of Honor. It is a little peppier and reminds me of Saliva or Nickelback and I’m not saying that in a good way. It proves the adage that if the song was any good it would have been on the album.

I guess Dearly Departed has opened my eyes to Adrenaline Mob. I really like how the band is able to mix modern hard rock with classic rock sensibilities. Hopefully it will continue on their next release. My one small complaint is I think Dearly Departed should be a bit cheaper. It’s only $1 less than a regular album so I dropped it down one because of that.

Final rating, I’d be happy paying…

$14.99-Regularly Priced CD

$9.99-Download from iTunes or Amazon

$5.00-buy it as a used CD

$1.00-streaming it on Spotify

$0-Not worth the drive space

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Sweet & Lynch-Only To Rise

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Geez, another project album?

Really?

This one features Michael Sweet of Stryper fame on vocals joined by the magical fingers of guitarist George Lynch. Somehow these two men who have been creating music for most of their lives came up with the name Sweet & Lynch.

Ugh.

That “moniker” does not reek of creative genius for the prospective buyer. Band name aside, the prospect of these two guys working together is intriguing. The last Stryper album was good as was Michael’s subsequent solo offering. The same can be said of George’s latest output. The two Lynch Mob EP’s were terrific and his other project band, KXM, was on many people’s Top 10 lists. Also have to mention that the band is rounded out with the rhythm section of James Lomenzo and Brian Tichy. Two very capable veterans that have played together and with a variety of acts,

One of the main reasons this intrigued me so much was to hear Michael Sweet away from Stryper’s safety net. I was never really a big fan of them. The religious stuff was a bit too heavy handed plus the outfits were just silly. The prospect of him being able to shun those restraints is very appealing.

Sweet & Lynch sound exactly as you might think, a more melodic sounding Lynch Mob. At times it does sound a bit more Stryper-ish. That is heard right from the get go on “The Wish”. It gets a bit slinkier on “Dying Rose” with it’s Lynch Mob sound but Michael’s voice gives it that something extra. His high pitched vocals return on “Recover”. With George’s playing it really hearkens back to the glory days. Now the track that George shows off the most on is “Divine”. The guitar sound is so nasty sounding it’s almost pornographic. Only To Rise ends with the title track, probably my favorite song on the album. Brian Tichy’s double bass drumming really amps it up and makes it one of the heaviest tracks any of the guys has done.

With the pedigree of these two you expect a power ballad. Naturally there are a couple with “Love Stay” being the best. The rhythm section really help and takes a song that could have been very generic into something a lot more interesting. “Me Without You” is a nice one as well, though it seem to echo Dokken’s “Alone Again”.

Purely accidental I’m sure.

Sadly there are a couple of misses here. “Stretch in Numbers” sounds like they never knew which way to take the song. The keyboard is so out front you wonder if George just forgot to play on it. Then there’s “Hero Zero” which has some of the silliest lyrics I’ve heard in a long time. The hero is a zero, he’s just a highwayman. That’s bad. So bad that it ruins what could of been a good song.

It’s a shame that the new release shelf has been flooded with so many of these projects. I think fans may have soured on the gimmick-ness of these “dream projects” and in turn they overlook the ones that are actually good. Sweet & Lynch is one of those good ones with Only To Rise delivering on it’s promise of mixing together Stryper and Dokken into a audibly tasty treat. If you are a fan of either of those bands I recommend Sweet & Lynch wholeheartedly.

Final rating, I’d be happy paying…

$14.99-Regularly Priced CD

$9.99-Download from iTunes or Amazon

$5.00-buy it as a used CD

$1.00-streaming it on Spotify

$0-Not worth the drive space

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